Showing posts with label Strega. Show all posts
Showing posts with label Strega. Show all posts

19 December 2010

The 2010 Devil's Dining Awards

2010 was both brutal and promising for Boston’s restaurant industry. I handed out my usual professional accolades: the annual Stuff Magazine Dining Awards (with my friend and frequent collaborator Ruth Tobias); some year-end highlights from Food Coma, my biweekly fine-dining column for Stuff Magazine; and a year-end retrospective of On the Cheap, my budget-dining perch at the Boston Phoenix.

But there's never enough room to laud the praiseworthy or take a prose scimitar to the crass, the ridiculous, the fraudulent and the shameless -- except here, where space is free and no editor frets about whom I might offend. So for the second year running *, here’s my personal take on the extraordinary, high and low, in Boston’s dining and drinking scene: the 2010 Devil's Dining Awards!
  • Funniest Bid to Attract an Industry Crowd Award: to The Citizen Public House and Oyster Bar, for serving draft Fernet Branca at $3 a shot. At this terrific new Fenway joint from the Franklin Café gang, it takes eighteen 750ml bottles to fill the reservoir of Fernet, a tipple favored by bartenders, servers and cooks as an after-work cool-down chased by a High Life or Bud Lite Lime. I've advocated the joys of this poisonously-bitter Milanese digestif for years, so I’m gratified by its surging popularity. But the day it began flowing cheaply from a tap? I did not see that one coming.
  • The Horror Behind the Mask Award: to the Brothers Andelman of The Phantom Gourmet, a local restaurant-review TV show. No, it’s not for polishing the knobs of their advertisers: even their dimmest viewers recognize that the Andelmans are shameless whores. Rather, it’s the phony gusto with which the boys smack their lips on-camera over the fatty/starchy fare in which the program wallows: cupcakes, ribs, chicken parm, anything deep-fried and drenched with syrup, gravy or melted cheese. The truth is that Dave is a fitness fanatic, Mike a vegetarian, and Dan (judging from the places I routinely ran into him when he lived in town) more fond of tony fine-dining establishments than dripping steak bombs and glazed donuts. It’s like discovering the Red Sox color guy is secretly a Yankees fan: the Phantom loves arugula!
  • Ballsiest Debut Award: to Somerville's Journeyman. Sure, Barbara Lynch showed cojones by opening super-pricey Menton in the middle of an endless recession, but her backers have deep pockets: a flop wouldn’t kill her. Journeyman’s chef/owners Tse Wei Lim and Diana Kudayarova abandoned careers for which they’d earned MIT PhDs to open an expensive, ambitious restaurant in a modest corner of Somerville. The venture sometimes bespeaks an amateur’s learning curve, but the food is often breathtaking: snout-to-tail, intensely local and sustainable, occasionally molecular. As important, they’re doing what every gifted home cook fantasizes about, and in following their bliss, have mounted an enterprise that is at once humble and audacious. Bravo!
  • Saddest Closing Awards:
  1. Gitlo’s Dim Sum Bakery in Allston, which never recovered from the departure of its brilliant opening chef
  2. Beijing Star in Waltham, a superb traditional Northern Chinese restaurant
  3. Terrie’s Place, a Southie diner that referred to customers living more than a few blocks away as being "from out of state"
  4. The Forest Café, a long-running Cambridge townie dive / Mexican joint
  5. Café 57 & Grille, a fine indie breakfast/lunch place in Brighton that a competition-wary Dunkin’ Donuts apparently sued out of existence
  6. St. Alphonzo’s Kitchen, an amiable, eclectic Southie neighborhood spot; and
  7. Chef Chang’s House, a faded Brookline American-Chinese institution I’ll always remember from days long past when the venerable Grandpa Chang carved Peking duck tableside. RIP, all.
  • Biggest (Qualified) Surprise Award: to Strega Waterfront. I’ve hammered Nick Varano’s flagship North End restaurant Strega for its hideous décor, awful website, overpriced and inconsistent food, and stale-as-yesterday's-cannoli Hollywood-mobster theme. Varano calls it “Da bes’ Italian food in da city”; I call it “Artie Bucco’s Cheers Bar”. But while the new Strega Waterfront commits familiar sins – too many TVs, dubious red-sauce dishes (see below), portraits of Pacino and DeNiro apparently painted by the bastard offspring of Jackson Pollack and LeRoy Neiman – the kitchen occasionally sticks a landing, like with its lobster risotto. I can’t give the whole package a rave, but the food does ascend at times to trump the tacky shtick.
  • Don’t Let the Door Hit You Award: to Don Otto’s. After closing for good, this short-lived South End gourmet grocery/deli penned a snotty website broadside that blamed its failure on disloyal, philistine customers and the perfidy of Wal-Mart (closest outlet: a half-hour drive away). Me, I ardently support local merchants, shun Wal-Mart and gladly pay a premium for quality, but I was done with The Don after I spied rotten, moldy fruit there. I’m sorry, Don Otto: it’s not me, it’s you.
  1. Deuxave -- a delightful restaurant with great food, service, wines and atmosphere, but “Douche Ave” just comes to mind way too easily
  2. Waxy O’Connor’s -- ugh, just… ugh
  3. Toby Keith’s I Love This Bar & Grill -- I loathe that song, and celebrity-owned chains
  4. Twitters Bar & Grill -- three words: Not On Twitter
  5. Pasta Beach -- maccheroni is not good for your swimsuit figure; saucy foods and sand don't mix.
  • Most Futile Hail-Mary Pass Award: to North End restaurant Davide for its pending appearance on Kitchen Nightmares. Fox’s restaurant-makeover show follows Gordon Ramsay, the talented but money-grubbing British chef, as he expresses disgust at a struggling restaurant's food, then profanely tongue-lashes the incompetent owners, cooks and waitstaff into submission. He then oversees a perfunctory menu and dining room face-lift before exiting triumphantly. The show's dirty secret is that Chef Shouty McSpittlefleck never addresses the business management issues at the root of most restaurant failures. So Davide will likely suffer the same fate as most of Ramsay's Cinderellas: a brief bump in popularity after the episode airs, failure within a year or two anyway, and the eternal afterlife of its public humiliation on YouTube. If you're a restaurateur in similar straits, consider preserving your dignity by just closing quietly.
  • Most Passé Bill-Padding Gambit Award: to pushing bottled water. Trying to make customers feel like peasants for choosing Boston’s excellent tap water over some pricey import is not only a dreadful first service interaction, but also out of step with the times. Smart places like The Russell House Tavern are doing the green thing, filtering and bottling their own still and sparkling water and serving it gratis. I’ll have the local, sustainable choice, thank you very much.
  • Lead Balloon Awards. If you write 70 or so professional reviews a year and dine out a lot more just for fun, you’re going to be served some dishes that fail unequivocally. Mine included porchetta at Towne Stove and Spirits (dry and inedibly tough, a $35 fiasco), bucatini amatriciana at Strega Waterfront (overcooked, oversauced, overdosed with pecorino and lacking guanciale), and seared skate at Sam’s at Louis Boston (bludgeoned to death with a salt shaker). Those are all kitchens with talent, but boy, did those plates flop hard.
  • Most Sobering TV Story Arc Award: to Season 4 of Mad Men, AMC’s acclaimed drama set in a 1960s Manhattan advertising agency. In Seasons 1 to 3, the show so glamorized old-school boozing that you wanted to head directly to Deep Ellum or Green Street after each episode for a classic cocktail, or to eBay to bid on some vintage highball glasses. This year it followed brilliant and troubled ad man Don Draper’s grim downward spiral into alcoholism. So depressing were Don’s rye-soaked travails that we considered quitting drinking altogether. Not even an actor of Jon Hamm’s considerable skills can make sweaty projectile vomiting the morning after an extremely ill-considered hookup look sexy.
  • Happy For You, Not Me Award: to Rino’s Place, the family-run Eastie spot that serves excellent Italian-American fare and fabulous traditional Italian specials. A spate of critical raves (mea culpa: I lauded it in The Phoenix, as subsequently did the Boston Herald, Phantom Gourmet, and most fatally, Diners Drive-Ins and Dives) has engendered three-hour waits on weekends. Rino’s deserves the crowds; I just can’t spare the time to get a table there anymore. (Personal Hell Sub-Award: I'm the one who tipped off Guy Fieri's producers about Rino's.)
  • Ludicrous Food-Nerd Elitism Award: to anyone who dismisses gussied-up versions of lowborn food as “inauthentic”. In my accounting, the urge to glorify foods originally served from street carts, food trucks, carnival tents, and ballpark concession stands isn’t pretension. Rather, it's natural for creative, restless chefs to apply skill and quality ingredients in the interest of elevating ignoble dishes. By all means, diners should understand and appreciate these foods in their traditional incarnations. But spare me the reverse snobbery that says that poutine stops being poutine the minute you add foie gras. If you’ve ever paid more than eight bucks for a burger, you’re already down that rabbit hole.
  • Burn Your Own House Down Award: to The Upper Crust pizzeria chain, excoriated in a devastating Boston Globe story for allegedly engaging in ruthless, systematic exploitation of its Brazilian kitchen workers. Bad enough that a 2009 US Labor Department investigation awarded workers $350,000 in back wages, but now a newer investigation and class-action lawsuit depict management as trying to sidestep that settlement and continuing its other abuses. [Update: a former longtime Upper Crust manager who blew the whistle to the Labor Department is now suing, saying that owner Jordan Tobins retaliated against him by falsely accusing him of robbery, withholding hundreds of dollars from his last paycheck, and threatening to kill him.] The restaurant’s public demurral looks pretty feeble, effectively, "Sometimes people say untrue things." Many customers are buying their pies elsewhere until the dispute gets its next day in court.
  • Worst Enduring Cocktail Trend Award: to drinks that pander to one’s inner sugar-craving adolescent. The now widely-banned Four Loko was obviously targeting idiot youths with its 23.5-ounce can, Slurpee-inspired flavors, 24-proof strength, and double-Red-Bull stimulant dose; no wonder it induced blackouts and alcohol poisoning. Meanwhile, 30-proof alcohol-infused canned whipped cream and 80-proof chocolate milk remain on the shelves. Worse, some imp is goading the otherwise estimable Lydia Shire to create libations like the Holiday Macaroon, a froth of coconut and chocolate vodkas, crème de menthe and cream that looks like a Shamrock Shake in a cocktail glass. Unless you’re a grandma having one for dessert, I’m begging you: can we please just drink like grownups?
  • Charm Is Tough to Replicate Award: to Kelly’s Roast Beef, which opened a new store in Allston with the same menu as the 1950s-vintage Revere Beach original, including the famed North Shore-style roast beef sandwich it invented and some excellent fried clams. But the new outlet, like every Kelly’s except the mothership, has all the allure of a slightly-upscale Burger King. This food just isn't the same if you’re not perched on a seaside bench, defending your fries from aggressive seagulls.
  • Humankind Is As a Plague of Locusts Unto the Earth Award: to the perilous lurching of bluefin tuna, caviar sturgeon and other coveted food fish toward extinction through overfishing. It’s like we’re all in that scene in The Freshman, gloatingly eating the last of each species out of spite and self-satisfaction in our dominion over the biosphere. Seems like Homo sapiens needs to be shoved down a ring on the food chain, maybe by some War of the Worlds style blood-sucking aliens, to better appreciate the virtues of sustainable eating.
  • Even Chains Get It Right Sometimes Award: to the roast beef on kümmelweck sandwich at Bleacher Bar, a Lyons Group establishment best known for its center-field-wall view into Fenway Park. A Buffalo specialty rarely seen in Boston, "beef on weck" features a caraway-and-butcher-salt-topped roll, lots of thin-sliced rare roast beef, plus some jus and horseradish. Bleacher Bar's rendition hits all the right notes, and the bar shows Bills games and serves wings in season. Pretty fine work -- or so say my cousins from Buffalo.
  • Budget-Restaurant Personality of the Year Award: to Winston “Al” Niles, the garrulous, courtly Jamaican ex-pat behind WAN Convenience Store and Deli. With a steady stream of affable patter, Mr. Niles keeps a queue of Mission Hill regulars enthralled as he leisurely assembles delicious, messy, Dagwood-like sandwiches. Note that Al still operates on island time, meaning his posted opening and closing hours are more like suggestions than rules.
  • Most Delusional Customer Award: to the party at Myers + Chang who requested a doggie bag, forgot it, called to learn it was being held for them, and rather than return, demanded a gift certificate for the value of the food. (M+C declined. I suggested they mail the leftovers via Parcel Post.) This kind of outrageously grasping, absurdly self-entitled behavior keeps Boston civility advocate Patrick Maguire clacking, dumbfounded, on his Server Not Servant blog.
  • Big in 2010, Bigger in 2011 Award: to the influence of technology on restaurant/customer interactions, from Facebook and Twitter marketing, to Groupon-like email promos, to online booking via OpenTable and Rezbook, to billions of amateur food blogs and online consumer reviews. Maybe restaurants will finally figure out that hyper-animated websites are less useful than plain ones that merely deliver contact info, hours and menus – especially since iPhone and other popular mobile platforms don’t support Flash. Maybe diners will grasp that location-based check-ins say, “Burgle me, I’m not at home.” And with any luck, the bright minds at Quest Visual will do a Han character version of their astonishing Word Lens app, so I can easily translate Chinese restaurant signs, menus and specials boards. I’d take that over a personal jetpack any day.
Here’s hoping that 2011 ladles you up a nice cup of punch, tweets you the location of your favorite food truck, keeps the neighbors from bitching about your CSA crate in the hallway, convinces you to try the roast pig’s-head entree, and feeds your kid a healthier school lunch. As my friends in Natal say, Oogy wawa!

* Last year's awards are here.

26 July 2010

“I'll Have the Château Menino, Please”: Tap Water vs. Bottled in Boston Restaurants

Photo courtesy of desktopwallpapers4.me
The first few moments of interaction with your server can set the tone for an entire restaurant meal. One of my longstanding annoyances at Boston restaurants, probably dating to the late 1990s, was when a server's first question to the table was, “For water, would you like still, sparkling, or...” Faint pause, “Tap?”, this last pronounced with a slight smirk or grimace as if to say, “The peasant option? Ugh. Really? Trying to shame me into buying bottled water? That's how you want to start this dance?

The reasons this is a terrible practice are obvious:
  • Bottled water is not green. Most bottled water has a huge carbon footprint: it has to be shipped from far away, and consumes a glass or plastic bottle that may not get recycled.
  • Bottled water does not necessarily taste better than tap, especially here. Tap water in most of Greater Boston comes from the Quabbin Reservoir, which many professional water tasters (yes, they exist) rank among the country's best-tasting, along with New York City and Salt Lake City. Certainly to my palate, our tap water tastes better than mass-market waters like Aquafina and Dasani, water from who-knows-where bottled by PepsiCo and Coca-Cola, respectively. That junk tastes like the plastic bottle it comes in.
  • Times are tougher. Encouraging what once might have seemed like a harmless indulgence, a bit of living large, is more unseemly when diners are pinching their discretionary pennies.
  • Pushing bottled water feels like a clip-joint tactic. Starting off the meal with a crude attempt at bill padding is the restaurant equivalent of asking a first date, upon collecting them at their doorstep, “So, you gonna put out for me tonight, or what?
This last objection is especially obvious in the North End, a neighborhood already notorious for its raft of techniques to gouge unwary tourists and suburbanites. Strega Boston, for instance, is famous for simply serving bottled water without offering tap; many customers incorrectly assume that bottled is complimentary -- until the check arrives. That don' make me wanna say, a'salute!, Signore Varano.

Others, including Trattoria Il Panino and Cafe Pompeii, brazenly refuse to serve tap water, a practice which may be illegal here. I know that France and some US municipalities legally require restaurants to offer tap water on request. So far, I have been unable to verify whether Boston or Massachusetts statutes do the same.* But even if it's legal, refusing to serve tap water flouts local custom, and just plain feels sleazy. I don't buy the excuse that you don't have the space for glassware or enough dishwashing capacity: if the South End's teensy Delux Cafe can serve tap water, so can you. I wouldn't object to a small surcharge, say, a buck or two per table, to cover your costs. But forcing me buy bottled water is scummy. It makes me hate you and want to shun your business on principle.

Some restaurants recognize the offensiveness of pushing bottled water and have seized it as an opportunity to demonstrate their commitment to local products, sustainability, and general non-swindling hospitality. Rendezvous in Central Square, the wonderful, locavore-before-everyone-jumped-that-bandwagon New American restaurant in Cambridge, presciently got out in front of this issue, documenting its rationale for doing so in this excellent blog essay. Two newer restaurants, The Russell House Tavern, a fine gastropub in Harvard Square, and Post 390, a swank Back Bay "urban tavern", offer filtered tap water, with or without gas, for free or a nominal charge. Bravo!

As the Great Boston Water Panic of 2010 demonstrated, you don't always know what you've got until it's summarily interrupted by a giant blown water-main coupling. I think our four-day outage probably reinforced to many Bostonians just how wonderful it is to have abundant, low-cost, great-tasting tap water. I happily consume Quabbin tap water at home, and thanks to a recent investment in a SodaStream home carbonation system, no longer buy environmentally-hostile bottled seltzer, either. There remain few good reasons not to do the equivalent in restaurants.

Go ahead and drink bottled water if you actually prefer it: I have a few European ex-pat friends who still do so out of long habit. But the rest of us should lustily, proudly respond to the “Bottled or tap?”question with “Source Municipal” or “Château Menino [or whatever the local mayor's surname is]", two droll French expressions for tap water. Or do as a friend of mine does, and counterpunch any implied sneer with a sniffy “Local water, please.” If enough customers do this, perhaps more Boston restaurants will get the message: pushing bottled water is so very last century.

* If you have an expert opinion to offer on the legality of restaurants refusing to serve tap water in Boston or elsewhere, please drop me an email at mc dot slim dot jb at gmail dot com.

14 May 2010

Good Signs, Bad Signs (You Know We’ve Had Our Share): A Deconstructionist’s Guide to Gauging Restaurant Quality

The following is a collaboration between my good friend Ruth Tobias of the inestimable Denver-based food/drink blog Denveater (tagged herein as Denv.), myself (tagged as MCSJB), Boston blogger Hidden Boston (tagged as HB), and Denver blogger Denver on a Spit (tagged as DOAS).

The idea for the post, the selection of the contributors, and the editing of all our input into a coherent whole was all Ruth's: many thanks to her for her originality, hard work, and supreme cat-herding effort. She is the first-person "I" in this piece. If you see a restaurant name you don't recognize, it's likely in the Denver area.

-----

I knew the Director and I were in for a long night at the not-surprisingly-now-defunct Mark and Isabella the second we stepped inside and I saw the slogan on the back of a server’s T-shirt: “Got lasagna?” Faux-snark swiped from an ad campaign that had long since been borrowed to the point of grinding cliché did not bode well for the freshness of the dining experience—and sure enough, from the half-hearted service to the even-less-hearted cooking, the meal was a real drag. It occurred to me then that outside of roadhouses and shacks—clam, BBQ, burger, and otherwise—cheeky T-shirts might be an indication that the powers that be were putting the style cart before the substance horse.

When my theory was confirmed at the meh Via della Pace in Manhattan's East Village a couple months back, it got me to thinking about other indirect but generally reliable signs that a place is going to rock or suck. Cheesy Asian pop in an Asian restaurant, for instance: good. Cheesy American pop in an American restaurant: bad. Frank Sinatra in an Italian restaurant: really bad. Sleek logos: good. Gaudy logos: bad. No logos at all: probably bad (assuming it’s a pretentious appeal to insiderly exclusivity—although read on for an important exception). And so on.

It also got me to asking other food bloggers for their thoughts on the subject; here, the authors of Denver on a Spit, MC Slim JB, and Hidden Boston graciously offer up some worthy words to the wise (hey, that’s you!). Which doesn’t mean you should take them entirely without a grain of salt; as MC Slim JB points out, “It's an old Chowhound adage that deliciousness turns up where you least expect it. I am still routinely surprised to find great food in places I figured would be awful, and bad food where I expected joy. And I keep ‘discovering’ great little joints that have been around for years; I just never noticed them or happened by their neighborhoods. So don't take these rules of thumb as durable: there are always exceptions, and pleasant surprises hiding behind ominous first impressions are among the great pleasures of dining out.”

With that said:


+ (PLUS) SIGNS

English—or Rather the Lack Thereof

This may seem fairly obvious, but a good sign when looking for good food is a lack of English. This can start with the customers. If the customers are all talking in a language other than English, then chances are you have found a place that is at least authentic. This can backfire, of course, because if you go the McDonald's on Alameda near Federal; a lot of people may be talking in Vietnamese or Spanish, but you're still in a Wack Arnold's. If the waitstaff doesn't or barely speaks English, then that could be a good sign, too—but that could also happen at McDonald's. So probably the best indication is that the menu is in another language—especially if all or parts of it are not translated. [Conversely, see Dining for Dummies below—Denv.] Also, you probably want to figure out how to order off that part of the menu. Like at Denver’s New Saigon. Ever notice that untranslated page in Vietnamese? The servers often strongly discourage non-natives from ordering from there. Ignore them.— DOAS

A staff that cheerfully labors to overcome language barriers (example: East Boston's Restaurante Montecristo). Actually, that's a red herring: restaurants with little English in the front of the house that don't try to work with my kindergartner's Spanish can be good, too [see: El Taco de Mexico—Denv], but I'm impressed when they bother.—MCSJB

Wheels, Tents and Tunes

Signage—or Rather the Lack Thereof [an exception to my "no logos" rule—Denv.]

Speaking of signs good and bad, a complete lack of signage is often a good sign. Las Tortugas on Alameda just recently added a sign after years without. This is one of the most authentic torta experiences you will have outside of Mexico. A restaurant not only surviving but flourishing without any kind of advertising can only mean good things. Places like these grow by word of mouth. They have no websites, emails or, at times, even traceable phone numbers. If you are lucky enough to find one, then it is likely that you have stumbled upon something special. Likewise, signs you can't understand are often good.—DOAS

Attitude—or the Lack Thereof
Many restaurants feel the need to cater to every whiny need of its customers at any cost. Others, in the tradition of the Soup Nazi, post a list of rules that owners expect their customers to follow. These places know their food is good. If you are worried about pissing off the restaurant owners or cook, it must be good. When dining at Tom’s Diner in Denver, read the rules and don’t be a pain in the ass. The result? Some of the best Southern fare you can hope for in Denver.—DOAS

A warm, sincere-sounding greeting from the hostess stand immediately upon entering. A flustered, supercilious, or inattentive maître d' is a red flag.—MCSJB
[
See: Wild Bangkok—Denv.]

A chef-owned place that closes when the chef goes on holiday (example: Trattoria Toscana near Fenway). The level of professional pride reflected in the implied motto, “If I'm not here cooking, it's not my food,” is generally encouraging.—MCSJB

Tableware—or the Lack Thereof
Environmental awareness has not yet expanded to encompass all restaurants equally. So if you are comfortable enlarging your carbon footprint from time to time in exchange for some good food, then an unfortunate good sign is often paper plates, plastic forks and Styrofoam cups (big ones).

Meanwhile, napkins are fluff. In my own home, napkins are for when guests like parents come over. Paper towels are absorbent and good for dabbing the corners of your mouth, wiping up big saucy spills from the table and sopping up the grease you can't lick off your fingers. A roll of paper towels on each table is a solid sign of good food. The opposite of the paper towel is ultra-thin, almost transparent tissue-paper napkins. I have not seen a lot of these in the States, but in many countries this is the standard. If you grab for a napkin, then need to grab four more to sop up a pea-sized spill, you have chosen well.

[See: Tin Star Cafe Donut Haus—DOAS]



P1090766.JPG


Roots, Part 1: Where Everybody Looks the Same [to the tune of the "Cheers" theme]

Not in the way that all white people look the same, but as in a staff that shares the same genetic makeup. Is sis hosting while bro serves and mom barks orders from the kitchen? Stay. It's going to be good.—DOAS

Son out front, mom in the back. I've run into this setup in many tiny, traditional restaurants, and the results are often wonderful.—MCSJB
[See: Lao Wang Noodle House—Denv.]

Roots, Part 2
A cliché that happens to be true: a crowd of ex-pats in a restaurant serving their homeland's cuisine, e.g., many Thai immigrants dining in a Thai restaurant. Somewhere there must be throngs of Cantonese speakers with lousy taste—the Chinese equivalent of Chili's fans—so their presence at a Hong Kong–style live-tank seafood restaurant shouldn't impress me. But I haven't run into them yet.—MCSJB
[See: Star Kitchen—Denv.]

Places with wheels always get my attention. There is something about an operation that has the potential to be portable that tickles my tastebuds. In Denver, many of my favorite meals come from food carts or out of taco trucks, running the range from Gastro Cart’s gourmet goodies to my favorite hidden loncheras (luncheonettes) in Aurora. Everything tastes better when it comes from a vehicle parked on a street corner or empty lot. As the food truck and cart boom grows in Denver this spring and summer, this might change, but for now, it's a great place to start.


P1080032



Or: There is a big white canopy tent in a parking lot next to a restaurant. Under that tent is a hunk of red stacked pork loins roasting on a spit with open flame. There are juices dripping off the meat. You probably want to go there.

Also: nothing says Mexican street life (and that in many other parts of the world) like bootleg CDs and DVDs being sold on the street. If there is someone with a rack of CDs leaning against his or her car in the parking lot of a restaurant, that really can only mean good things for the food inside. If there is a guy hawking cheap plastic toys as well? Jackpot. For a special bonus, does the owner let people come in off the street and peddle stuff inside of the restaurant itself? This takes the parking lot theory to a new level, and is not limited to CDs. Tamales, cheese, and tortillas are all fair game. Denver's Taco Mex has it all.—DOAS


P1070973



Cleanliness, Godliness
A spotless open kitchen where every cook has a tidy mise-en-place. Not every fine dining restaurant that exhibits this orderliness will be good, but an open kitchen without it inevitably disappoints. Also: spanking-clean bathrooms. A restaurant that minds this particular corner of the store reveals something honorable about its character.—MCSJB


– (MINUS) SIGNS

Staff: Aptitude and Attitude

"Hi, my name is ____ and I'll be your server tonight." Not the server's fault, I know: this is part of the restaurant's robotic training regimen. But it still sets my teeth on edge every time. A rote phrase of greeting is an unpromising way to start the meal.
—MCSJB

Bouncers.
Your place may serve food, but it's primarily a nightclub, and nightclub owners virtually never run worthwhile restaurants.—MCSJB

The host who points to your table rather than taking you to it. When hosts do this, it implies that a) they hate their job; b) they don't really care about the customers; c) they are incredibly lazy. In all three cases, it sends up warning signals to the diners.
—HBPimped-out servers. Restaurants that drape female servers in tight, revealing uniforms are usually trying to distract you from some unflattering facts about their food. Staring at you, Hooters. —MCSJB
[See, er: Hooters—Denv.]

A server who sits at your table when s/he takes your order. Why do they need to sit at the table? Are they tired? Are they looking for new friends? Either way, it is irritating and vaguely disturbing, especially if the table is tight to begin with.
—HB
[See: The Wine Loft—Denv.]

Schtick

The involvement of a professional athlete: their name on the marquee or their ownership stake touted in the restaurant's marketing. I can't think of a single restaurant of this type I've visited that wasn't overpriced, mediocre, or both.
—MCSJB
[Elway’s is an exception, but one that proves the rule.—Denv.]


“Tony Gabbagool” shtick. Certain Italian places (example:
Strega in Boston’s North End) hype their affinity for heavily-stereotyped American Mafia culture, some going so far as to hire former Sopranos bit actors to promote their restaurants. It's stale, stupid, and borderline-offensive, not a harbinger of quality.—MCSJB

A floor show. Benihana-style teppanyaki, strolling violinists,
Fire + Ice falderol (you select ingredients and sauces to be stir-fried in front of you on a giant griddle), and other gimmicks often hide lackluster ingredients behind the zazzle.—MCSJB

Kitschy mismatched bric-à-brac: stuffed game-animal heads, old road signs, etc. Another casual dining trope that says, "Boil-in-bag food served here."—MCSJB


Dining for Dummies


An English-language menu that only captures a subset of the entire Chinese menu, usually featuring only Americanized dishes. This doesn't mean that Chinese restaurants with limited-for-dumb-Americans menus don't have good food, but I may never know if all they offer me is junk like crab Rangoon and General Gau's chicken. (Pointing at other customers' orders can help, but only until your next visit when you want to get that dish again.)
—MCSJB

Tent cards, those little pre-printed cardboard pyramids on the table promoting a drink special (Hypnotiq Cozmos!), appetizer (Shrimp Poppers!), entree (Fettuccine Alfredo in a Bread Bowl!), or dessert (Mom's Homemade Chocolate Lava Cake!). They're a staple of national casual dining chain hellholes, and thus inspire foreboding.
—MCSJB

Similarly: An insert for specials looks older than the regular menus.
—HB

A menu with photos of the food (this mainly applies to traditional American places, as pictures of food at ethnic restaurants aren't always a bad thing). Usually the pictures are stock photos, which means they have nothing to do with the restaurant (unless perhaps the point is to show diners what a hamburger looks like). All they do is take up space on the menu, which may be the questionable goal of the restaurant
.—HB
[In Italy, picture menus are usually accompanied by the words "Menu Turistico!" If that's not a sign to vamoose, I don't know what is.—Denv.]


First Impression (with your teeth)

Wonder-Bread-like dinner rolls with portion-control oleo pats served at an American-Chinese restaurant. Get ready for magenta spareribs and gloppy chicken chow mein.
—MCSJB

Roots, Part 3

No ex-pats dining in a restaurant serving their traditional cuisine.
—HB
[See: P. F. Chang's—Denv.]

Got it? Good. Now you’re ready for the Dining Deconstructionist’s Bonus Guide, by MC Slim JB (with yet more commentary by Denveater):


SIGNS THAT PEOPLE BELIEVE TO BE REVEALING BUT AREN'T


Reviews as Signage

A glowing review posted in the window. This is only useful if the review is recent and the reviewer trustworthy, not some pay-for-play schmuck like
The Phantom Gourmet, or a faceless mob of Zagateers who might also adore P. F. Chang's. Further, some restaurants have been caught posting counterfeit reviews, using Photoshop to convert pans into raves.

Agreed: A “They love us on Yelp!” sticker might as well read, “We paid our monthly advertising bill!” As for Zagat, here’s a little tip from a former editor of the Boston/Cape Cod guides (yes, me)—a sticker reading “Zagat Rated” means, uh, the place has been rated. Likely iffily. If it had been rated highly, the owner would probably have opted to frame the whole review. And to underline Slim’s emphasis on recent reviews: I always do a double take when all the clippings and plaques are years old—who knows what’s changed since then? Case in point: Mare in Boston’s North End, which is lined with banners boasting major accolades—from 2006, when the legendary Marisa Iocco was in the kitchen. The current chef may well be a gem, but those banners don’t reassure me; they aren’t sparkling for him.—Denv.


Crowds—or the Lack Thereof
A full parking lot or a line stretching down the sidewalk. All this certifies is that the joint has connected with some lowest common denominator. As with amateur reviews on Yelp, unless you know the tastes of the enthusiasts, you can't trust the endorsement of the crowd. Most outlets of The Cheesecake Factory have nightly lines out the door, too.


No customers. Plenty of wonderful restaurants, e.g., East Boston's lamented Oran Cafe, never find a following, thanks to a bad location (rough neighborhood, hard to reach, no parking/public transit nearby, unpromising setting like a gas station), seedy physical plant, inept or nonexistent marketing, and/or sheer bad luck. Or maybe it's just really, really new. You may be the first to discover it, to truly appreciate and evangelize it.

Roots, Part 4
A match between the nationality of the chef and the restaurant's cuisine. There are excellent Japanese restaurants with Chinese chefs, swell Cajun restaurants with Vietnamese chefs, fine French restaurants with American chefs, fine molecular chefs who aren't from Mars. Conversely, many bad Italian restaurants brag about their Italian-native chefs. Non importa, amico mio.

Addendum: Corny Décor. Red-and-white checkered tablecloths in a trattoria, serapes and sombreros in a taqueria, golden dragons galore in a dim sum palace: you’d think such clichés would amount to gigantic red flags, proving the equivalent of foot-tall mounds of Alfredo, stale tri-colored chips with neon kway-soh dip and sweet and sour mystery meat. But for some reason, they don’t, at least not often enough to judge by.—Denv.