17 April 2011

Jackets-Required Fine Dining Is Dying. Does Anybody Care?

You don’t have to be very old to remember a time when certain Boston restaurants had a jackets-required rule. Locke-Ober, the Dining Room at the old Ritz-Carlton (now the Taj), and L’Espalier (in its original location) were three notable examples of rooms that insisted that male customers wear a tailored sport coat or suit to gain admittance. The maître d' literally would not seat you in the dining room without one. If you didn’t have the foresight to wear a jacket, or were arrogant enough to think they’d bend the rules for you, you faced a choice: go home and change, don one of their humiliating, ill-fitting loaner blazers, or dine somewhere else.


And they were dead-serious about it. Mick Jagger was famously denied entrance to even the bar at the Ritz in his t-shirt and jeans; being rich, famous, and a guest at the hotel didn’t matter. At Locke-Ober, that hallowed Downtown refuge for Boston’s vanishing Brahmin class, I witnessed many a host-stand scene featuring a young, well-heeled customer arguing in vain that his jeans cost $300, why couldn’t he get a table? But the jacket was non-negotiable. The owners were throwing a specific kind of party, and the invitation said “semi-formal attire”. You could get with the program, or take your business elsewhere.

That once-sacred condition of entry to the city’s temples of gastronomy is rapidly going the way of the dodo, the travel agent, and the landline phone. L’Espalier moved from its romantic but cramped quarters in a Back Bay mansion three years ago to spacious (if comparatively charmless) digs in the nearby Mandarin Oriental; dropping the dress code was a condition imposed by the hotel, which wanted its guests to have unfettered access. Before it became a Taj, the old Ritz closed its dining room and dropped the bar’s dress code; to the chagrin of old-timers, you could get a drink there in jeans and no jacket. But the true death-knell just sounded this month: Locke-Ober, the last restaurant in Boston to enforce a strict dress code, recently reopened after a brief hiatus, and its new owner has shot the jackets-required rule, though jeans and sneakers remain verboten.

Today, a few Boston restaurants say “jackets suggested”, but even the most casually-dressed patrons rarely get turned away. I recently dined at luxury steakhouse KO Prime next to a large table of businessmen in golf shirts and baseballs caps. In the new location of L’Espalier, one of the most formal and expensive restaurants in the city, I’ve seen customers in hooded sweatshirts, rocker gear (ragged jeans, motorcycle boots, band t-shirts), track suits, and head-to-toe Ed Hardy, complete with matching trucker hats. In the summer, it’s not unusual at places that charge $40 for entrees to see men wearing shorts and flip-flops that expose gnarly, ungroomed toes. (There’s a reason most fancy-restaurant dress codes are aimed explicitly at men; women seem to dress better without coaching.)

How did fine dining go from an occasion for your Sunday best to the equivalent of a Jersey Shore casting call? A few things are going on:
  • American dress sense has gotten steadily more informal. A hundred years ago, a gentleman wouldn’t think of dining out at a fancy restaurant in less than white tie – the Fred Astaire tailcoat, white pique formal shirt, vest and bowtie. To the horror of many at the time, this gave way to the tail-less dinner jacket, white pleated shirt, and black bowtie. Eyebrows were raised and tongues clucked again when men stopped “dressing for dinner”, i.e., changing into a tux from their daytime business suit and necktie. The next horror showed up only in a sport coat and slacks, first with a tie, but soon in a turtleneck or open-collared shirt. From there, it was a few short steps to no jacket at all, just a golf shirt, then t-shirt, then neon mesh wife-beater.
  • High-end dining is changing. Many restaurateurs, younger independent chef/owners especially, have fled the formality of the old Michelin-starred haute-cuisine palace, with its stiffness, white tablecloths and 20-piece place settings, preferring the casual conviviality of the bistro. While the food itself isn’t necessarily casual– it may in fact reflect just as much laborious technique, costly ingredients, and artful plating as the old school -- owners want the ambiance to be more relaxed. Even Boston’s Oak Bar, one of the city’s last surviving stately old rooms, is about to undergo a casual makeover. The tuxedoed waiter armed with a silver crumber has been pink-slipped.
  • Restaurants can't afford to turn away the business. Between the depressed economy, rising food costs, and new expenses like OpenTable and Groupon, many restaurants are struggling to stay profitable and win new customers. Given similar choices, customers will often opt for the restaurant that doesn’t make them dress up. As a recent Wall Street Journal article noted, even restaurateurs who cherish tradition and think that well-dressed patrons improve the atmosphere can no longer bear the competitive disadvantage of a dress code.
Many customers argue vehemently against dress codes, too. “I hate dressing up; I’m so happy I can have a nice meal and feel comfortable.” “Dress codes are elitist, designed to keep the hoi-polloi out. We’re a democratic society; you should be able to dine wherever you want to without owning an expensive suit.” “Go ahead and dress up if that’s what floats your boat, but don’t make me do it. You should be focusing on your companions and your dinner, not what I’m wearing.”

At the risk of sounding like a creaky grandpa, moaning that the world is going to hell and young people these days don’t know how to behave, I confess to some regret over this development. Americans have progressed with informality in dress to the point where we appear to have lost our sense of occasion entirely. We go to church in sweatpants, answer court summonses in novelty t-shirts, wear pajamas to the supermarket, sport jeans at funerals. More formal dress once symbolized the differentness of certain occasions from the humdrum social interactions of quotidian life. We’ve flattened that out to one loose, casual one-size-fits-all.

A consequence of this uniformity is that special-occasion dining doesn’t feel as special anymore. I think a roomful of dressed-up patrons feels very different from one in which some folks are dressed up and others down. I get annoyed by people who show up at a Halloween party, black-tie wedding, or opening-night gala without applying enough effort to their attire to reflect the spirit of the occasion. A jackets-suggested restaurant is also a sort of costume party, and folks that flout the dress code are detracting from the atmosphere. That couple over there is trying to celebrate their silver wedding anniversary, and you look like you just strolled off the 18th hole? That strikes me as lazy and ungracious.

In certain settings, overly casual dress can be like too much perfume; there are limits to how much you can consciously shut it out of your senses. Try not to think about an elephant; it can be hard to pretend you can’t see that dude’s armpit hair right in your line of sight. Good manners are designed to help minimize the inevitable friction that results in public life, and they used to imply more effort than simply asking your neighbors to ignore you. Nice restaurants have joined the growing ranks of places in which American men no longer feel obligated to put on long pants, and I think that’s a shame.

I also worry that our all-casual, all-the-time sensibility is related to a broader coarsening of our culture, the decline of civility toward strangers in public life, the bubble of self-entitlement that a growing number of people appear to live in. I suspect the absence of a sense of decorum, an underdeveloped belief that some situations demand more formal behavior and dress than others, might be of a piece with our society's increasing rudeness and self-centeredness.

Ultimately, the death of jackets-required won’t make a huge dent in my life. I spend most of my time in and generally prefer more casual places. My professional restaurant reviewing duties are evenly split between fine dining and budget-priced restaurants, but even in the fancy joints, what excites me most is the food, not the ambiance. I understand how we got to this point, and respect restaurateurs' decisions to relax their standards. I personally wouldn’t mind if we rolled the sartorial clock back to the Mad Men era, arguably the last high point in American dress sense, but I know that ship has sailed.

Still, I can’t shake the feeling that something small but significant is being lost, and once gone, it will be gone forever. What remains of our dining-out culture will be slightly sadder, shabbier -- a bit more vulgar. It’s not the end of civilization, just the passing of a small grace, another tiny corner of a more genteel world sacrificed for our schlubby comfort. I think maybe I’ll put on a suit, head over to the Oak Bar, and have a drink there before it becomes just one more place where a jacket looks as quaintly old-fashioned as Don Draper’s tie bar. Sic transit gloria.

28 March 2011

The Bar at Clio (Boston, MA): Todd Maul's Cannonball in the Craft Cocktail Pool

[This is a reprint of a piece I wrote for Serious Eats, originally published on February 28, 2011. All photos by MC Slim JB.]

For over ten years, I'd been dropping by the small, handsomely modern bar at Clio Restaurant in the Back Bay and thinking, "What a waste! Here's celeb-chef Ken Oringer's flagship restaurant, serving some of the most beautiful New French food in the city. There's Uni Sashimi Bar downstairs, one of the great joints of its type in town. So why does the bar feature these horrible Sex and the City flavored-vodka cocktails?" Mercifully, change finally came last year, in the form of a largely unheard-of, self-effacing, enormously talented new bar manager by the name of Todd Maul.

Maybe Oringer got tired of customers asking why Clio's bar was so feeble while Toro and Coppa, his terrific mid-priced South End restaurants, had strong cocktail programs. Whatever the reason, he lured Maul away from Harvard Square's Rialto, another fancy hotel restaurant. Maul had certainly flown under my craft-bartender radar. Unlike many of his more-celebrated peers, he hadn't passed through Boston's No. 9 Park or Cambridge's bygone B-Side Lounge. So when he debuted a mammoth, ambitious new menu of pre-Prohibition classics, Tiki cocktails, and high-craft originals accented with fillips of molecular gastronomy, it was like a cannonball in Clio's sleepy pool, and I didn't see the splash coming.

American rye, gin, applejack, cognac? Interesting vermouths, bitters, monastery cordials and housemade Swedish punsch? Smoked ice? Hallelujah! Essaying the ten-chapter list is initially daunting, but a good springboard for the evening is the Tiki Drinks and Daiquiris section. This honors the recent revival of traditional Tiki cocktails pioneered in 1930s Hollywood by Donn Beach at his seminal Don the Beachcomber.

Dr. Funk's Cousin ($13) mixes Gosling's dark rum, fresh lemon and lime juices, housemade grenadine, simple syrup, soda, and fresh ground cinnamon. Stirred over ice and served in a retro moai ceramic mug, it embodies the classic rum/lime/sugar combination central to the authentic Tiki canon. Aside from its potency and the kitschy serving vessel, this drink is impossible to confuse with the fake-Tiki dreck served at suburban Polynesian restaurants and student hellholes like Cambridge's Hong Kong.

Having a second cocktail without some food would be a mistake. Now might be a good moment to order some of Clio's exquisite bar nibbles, like salt cod croquettes ($11) with black-garlic aioli, and from Uni's menu, a sashimi of Maine lobster tail ($16): gorgeous, delicately rich in flavor, a bargain.

While awaiting these snacks, you might scan the Aperitif section and land on the New Amsterdam ($13): Bols Genever, Averna (a bitter yet sweetly syrupy Sicilian amaro), fresh lemon juice, Bitter Truth celery bitters, and salt. Shaken over ice, strained into a coupe, it impresses with the clear, malty flavors of genever, not unlike an unaged whiskey, with restrained sour and savory elements. It's beautifully balanced: a proper aperitif.

Moving on to the Non-Thirteen Dollar Drinks section, you might note how Maul takes liberties with a Great War vintage classic like the gin-based French 75 ($10). Says Maul, "I've never seen a Frenchman drink gin", so he switches in Cognac alongside the traditional mix of Luxardo Triplum triple sec, fresh lemon juice and Champagne. The result falls somewhere between Sidecar and a Champagne cocktail—a refreshing and attractive update.

Beyond cocktails, there's an extensive list of wines by the glass ($10-$28) and a shorter sake list. The globetrotting bottled beer selection surprises with three Southeast Asian lagers—Lao, Chang and Saigon—at the sweet, sweet price of $3 a pop. A long list of whiskeys favors pricey single-malt Scotches and boutique bourbons. As Clio and Uni are among Boston's costliest restaurants, the crowd runs older, conservatively well-dressed and prosperous. Rest rooms are hidden downstairs off the hotel lobby; you might want to map out the twisting route to them before your third round.

Throughout, Maul works more cleverly with cane spirits than many bars that boast about them, studiously avoids cliché, and trains his lieutenants so well you don't need to skip his nights off. He still has room to grow: hardcore cocktail geeks could wish for more whole-egg drinks, hand-carved ice, and larger-format punches (though he pours some fine two-handers, like a swinging Singapore Sling for $25) Regardless, he merits a fat gold star for lifting the bar at Clio out of that deep, sorry trough of upscale Boston watering holes with three yards of glittering vodkas and zero precision, cocktail scholarship or passion. In short, he has utterly remade it into something worthy of Clio and Uni's extraordinary food and service. With gratitude, all I can say is, "It's about bloody time."

Clio Restaurant
Eliot Hotel, 370A Commonwealth Avenue, Boston, MA 02215-2801 (Near Massachusetts Avenue; map)
617-536-7200

28 February 2011

My Debut as Boston Cocktail Writer for Serious Eats


I'm thrilled to announce my first contribution to Serious Eats as a writer covering the Boston cocktail scene. It's a review of one of my favorite craft cocktail bars of the moment: the bar at Clio Restaurant and Uni Sashimi Bar in the Eliot Hotel in Boston's Back Bay. I chose it for my Serious Eats debut because as wonderful as it is, the bar and its gifted manager Todd Maul tend to get overlooked even by serious cocktail aficionados who follow more celebrated local bartenders at better-known venues like Drink, Eastern Standard and Green Street.

Writing for Serious Eats is seriously exciting for me: it's the single biggest, most influential blog in North America focused on the enjoyment of food and drink, both out on the town and at home. Based in New York, with great content on the New York scene, it's the home of one of my favorite food writers, the food scientist, gifted chef, recipe maven, Boston ex-pat and MIT alumnus J. Kenji Alt-Lopez. Plus it dives deeply and nerdily into specialty areas like hamburgers, pizza, and recipes for home cooks.

I'm honored that they asked me to make the first Boston contribution to their new Drinks section dedicated to beverages of all stripes, including coffee, tea, beer, wine, spirits, soft drinks, drink-making techniques, books and equipment, food/drink pairings -- and of course, quality cocktails and the bars and bartenders that serve them.

Here's an example of how influential this site is: a year ago, Serious Eats picked up "27 Really Terrible Boston Restaurant Names", a piece I wrote on this blog that satirizes Boston restaurants with less-than-great names. On a typical day, my blog gets a few hundred hits. After Serious Eats linked to it, it got thousands of visits a day for a week, and the essay inspired similar pieces in several cities around the US. Their readership is huge and loyal.

I expect this will be the first in a series of reviews of my favorite places for a well-made drink in Greater Boston. I hope you like it, and I look forward to writing more!

03 January 2011

CSI Boston – Restaurant Edition: Who Killed Rocca?

A lot of Bostonians woke up New Year’s Day to learn that Rocca Kitchen & Bar, an upscale, modern Italian restaurant in Boston's South End, had closed. (I got wind of it on New Years' Eve from parties connected with the restaurant, confirmed it the next morning, and broke the news at 8am on Chowhound.) Many expressed shock: wasn’t Rocca doing well? Hadn’t chef Tiffani Faison (brought aboard in March 2010) reinvigorated the menu, garnered enthusiastic re-reviews in the Boston Globe and Boston Magazine, attracted plenty of press (in part with her celebrity from Bravo's Top Chef)? What the heck happened?

It’s said that success has many fathers while failure is an orphan. I expect many conflicting stories to trickle out in the coming weeks, laying blame for Rocca’s closing variously on troubled management, the recession, the fickleness of customers, bad weather, crossed stars. As someone who lives nearby, roots for local businesses to succeed, and gave Rocca many chances over its three years and eight months of life, I have my own particular theory. Let’s consider the evidence:
  • Food. I considered Faison’s food an improvement over her predecessor, and particularly admired her deft, creative hand with seafood: I will fondly remember a dish of squid-ink strozzapreti with shrimp and grilled-escarole pesto. But opening chef Tom Fosnot was no slouch either, and some of his dishes, like corzetti with rabbit ragù, were also extraordinary. I found it refreshing to see a few nods to the cuisine of Liguria (like a hand-rolled trofie with hand-mortared pesto), a region of Italy that gets short shrift in the US, especially hereabout. On the whole, I really liked the food.
  • Location. Rocca had a great spot in a corner of the South End that had become gentrified with neighboring luxury condos and helped by the success of nearby restaurants and pubs like Gaslight Brasserie du Coin, Myers + Chang, Oishii Boston, and J.J. Foley’s Cafe. Locals no longer considered that stretch of Harrison Avenue dangerous to walk around at night, and visitors could take advantage of free parking, a rare amenity in the South End.
  • Ambience. I considered the upstairs dining room and bar a bit cramped and more than a little tacky, with shifting-colors LED lighting that was about ten years too late for hipness. But the first-floor bar and lounge was beautiful, airy and inviting, and the spacious patio, secluded comfortably away from street noise and car exhaust, was my favorite in the South End.
  • Wines and spirits. I found the wine list pretty useful, with good range in Italian wines and enough price breadth to meet both my weeknight bargain-sipping and weekend splurging needs. Bartending was never extraordinary but generally adequate, not distracting enough to be a minus.
  • Service. Okay, some major blood spatter here. Rocca’s service ranged from very good to adequate to thoroughly incompetent. There were nights when we experienced flawless attention, others where we felt not especially well-treated but not ill-used, and at least two occasions when I thought, “This is the worst service I have gotten anywhere in a long time.” There appeared to be a persistent expediting problem, an inability to get food quickly from the basement kitchen to tables. During one particularly maddening stretch in the Fosnot era, I was so consistently served lukewarm to cold food that I stopped ordering anything that needed to be hot to be enjoyable. The biggest problem was that you never knew which Rocca service experience was going to show up. It could be great and awful on successive nights.
  • Management. I can’t speak directly to management competence at Rocca except as reflected in my service experiences, but one Chowhound poster made an observation that hadn’t struck me but I recognized as true: co-owners Michela Larson and Gary Sullivan weren’t a strong, visible presence at the restaurant. I didn’t often catch them working the room after the first few weeks, didn’t see their hands-on presence in the front of the house. That stands in marked contrast to many successful restaurants in the neighborhood.
There is doubtless more to the story than what customers can see; I can only share a customer's impressions. Great first experiences: loved the food, brought many friends there, spent a bunch of pleasant summer evenings on the patio. An ensuing pattern of frustration, as mediocre and poor experiences alternated with strong ones, leading me to drop Rocca from my rotation of reliable neighborhood standbys. A second chance granted under the new chef: another great first impression, with relief that it seemed to be on the upswing. Then another series of wildly inconsistent dinners, with service quality varying from good to so-so to my worst single fine-dining service experience of 2010 -- which I described as "so bad it was almost comical, until the $170 check arrived." Similar woes reported by friends I’d dragged back to the “new Rocca” but were no longer thanking me for it. We all have less dining-out money to spend and fewer free nights to spend it: why roll the dice when there are a dozen places within a few blocks that are less risky?

More than anything else, that inconsistency is what did Rocca in for me. In my experience as a customer and industry employee, it’s the one pitfall that is the most difficult for a restaurant to avoid. Inconsistency is the key reason so many places like Rocca that appear to have all the factors necessary for success – great location, attractive physical plant, veteran management team, loads of talent in the kitchen, strong concept – still fail. I really liked it, yet I couldn’t depend on it, and so found it difficult to recommend to others. The lesson in my mind is that it’s better to earn a B-minus seven days a week than an A on some nights and a D on others. Above all, consistency is what keeps restaurants in business.

19 December 2010

The 2010 Devil's Dining Awards

2010 was both brutal and promising for Boston’s restaurant industry. I handed out my usual professional accolades: the annual Stuff Magazine Dining Awards (with my friend and frequent collaborator Ruth Tobias); some year-end highlights from Food Coma, my biweekly fine-dining column for Stuff Magazine; and a year-end retrospective of On the Cheap, my budget-dining perch at the Boston Phoenix.

But there's never enough room to laud the praiseworthy or take a prose scimitar to the crass, the ridiculous, the fraudulent and the shameless -- except here, where space is free and no editor frets about whom I might offend. So for the second year running *, here’s my personal take on the extraordinary, high and low, in Boston’s dining and drinking scene: the 2010 Devil's Dining Awards!
  • Funniest Bid to Attract an Industry Crowd Award: to The Citizen Public House and Oyster Bar, for serving draft Fernet Branca at $3 a shot. At this terrific new Fenway joint from the Franklin Café gang, it takes eighteen 750ml bottles to fill the reservoir of Fernet, a tipple favored by bartenders, servers and cooks as an after-work cool-down chased by a High Life or Bud Lite Lime. I've advocated the joys of this poisonously-bitter Milanese digestif for years, so I’m gratified by its surging popularity. But the day it began flowing cheaply from a tap? I did not see that one coming.
  • The Horror Behind the Mask Award: to the Brothers Andelman of The Phantom Gourmet, a local restaurant-review TV show. No, it’s not for polishing the knobs of their advertisers: even their dimmest viewers recognize that the Andelmans are shameless whores. Rather, it’s the phony gusto with which the boys smack their lips on-camera over the fatty/starchy fare in which the program wallows: cupcakes, ribs, chicken parm, anything deep-fried and drenched with syrup, gravy or melted cheese. The truth is that Dave is a fitness fanatic, Mike a vegetarian, and Dan (judging from the places I routinely ran into him when he lived in town) more fond of tony fine-dining establishments than dripping steak bombs and glazed donuts. It’s like discovering the Red Sox color guy is secretly a Yankees fan: the Phantom loves arugula!
  • Ballsiest Debut Award: to Somerville's Journeyman. Sure, Barbara Lynch showed cojones by opening super-pricey Menton in the middle of an endless recession, but her backers have deep pockets: a flop wouldn’t kill her. Journeyman’s chef/owners Tse Wei Lim and Diana Kudayarova abandoned careers for which they’d earned MIT PhDs to open an expensive, ambitious restaurant in a modest corner of Somerville. The venture sometimes bespeaks an amateur’s learning curve, but the food is often breathtaking: snout-to-tail, intensely local and sustainable, occasionally molecular. As important, they’re doing what every gifted home cook fantasizes about, and in following their bliss, have mounted an enterprise that is at once humble and audacious. Bravo!
  • Saddest Closing Awards:
  1. Gitlo’s Dim Sum Bakery in Allston, which never recovered from the departure of its brilliant opening chef
  2. Beijing Star in Waltham, a superb traditional Northern Chinese restaurant
  3. Terrie’s Place, a Southie diner that referred to customers living more than a few blocks away as being "from out of state"
  4. The Forest Café, a long-running Cambridge townie dive / Mexican joint
  5. Café 57 & Grille, a fine indie breakfast/lunch place in Brighton that a competition-wary Dunkin’ Donuts apparently sued out of existence
  6. St. Alphonzo’s Kitchen, an amiable, eclectic Southie neighborhood spot; and
  7. Chef Chang’s House, a faded Brookline American-Chinese institution I’ll always remember from days long past when the venerable Grandpa Chang carved Peking duck tableside. RIP, all.
  • Biggest (Qualified) Surprise Award: to Strega Waterfront. I’ve hammered Nick Varano’s flagship North End restaurant Strega for its hideous décor, awful website, overpriced and inconsistent food, and stale-as-yesterday's-cannoli Hollywood-mobster theme. Varano calls it “Da bes’ Italian food in da city”; I call it “Artie Bucco’s Cheers Bar”. But while the new Strega Waterfront commits familiar sins – too many TVs, dubious red-sauce dishes (see below), portraits of Pacino and DeNiro apparently painted by the bastard offspring of Jackson Pollack and LeRoy Neiman – the kitchen occasionally sticks a landing, like with its lobster risotto. I can’t give the whole package a rave, but the food does ascend at times to trump the tacky shtick.
  • Don’t Let the Door Hit You Award: to Don Otto’s. After closing for good, this short-lived South End gourmet grocery/deli penned a snotty website broadside that blamed its failure on disloyal, philistine customers and the perfidy of Wal-Mart (closest outlet: a half-hour drive away). Me, I ardently support local merchants, shun Wal-Mart and gladly pay a premium for quality, but I was done with The Don after I spied rotten, moldy fruit there. I’m sorry, Don Otto: it’s not me, it’s you.
  1. Deuxave -- a delightful restaurant with great food, service, wines and atmosphere, but “Douche Ave” just comes to mind way too easily
  2. Waxy O’Connor’s -- ugh, just… ugh
  3. Toby Keith’s I Love This Bar & Grill -- I loathe that song, and celebrity-owned chains
  4. Twitters Bar & Grill -- three words: Not On Twitter
  5. Pasta Beach -- maccheroni is not good for your swimsuit figure; saucy foods and sand don't mix.
  • Most Futile Hail-Mary Pass Award: to North End restaurant Davide for its pending appearance on Kitchen Nightmares. Fox’s restaurant-makeover show follows Gordon Ramsay, the talented but money-grubbing British chef, as he expresses disgust at a struggling restaurant's food, then profanely tongue-lashes the incompetent owners, cooks and waitstaff into submission. He then oversees a perfunctory menu and dining room face-lift before exiting triumphantly. The show's dirty secret is that Chef Shouty McSpittlefleck never addresses the business management issues at the root of most restaurant failures. So Davide will likely suffer the same fate as most of Ramsay's Cinderellas: a brief bump in popularity after the episode airs, failure within a year or two anyway, and the eternal afterlife of its public humiliation on YouTube. If you're a restaurateur in similar straits, consider preserving your dignity by just closing quietly.
  • Most Passé Bill-Padding Gambit Award: to pushing bottled water. Trying to make customers feel like peasants for choosing Boston’s excellent tap water over some pricey import is not only a dreadful first service interaction, but also out of step with the times. Smart places like The Russell House Tavern are doing the green thing, filtering and bottling their own still and sparkling water and serving it gratis. I’ll have the local, sustainable choice, thank you very much.
  • Lead Balloon Awards. If you write 70 or so professional reviews a year and dine out a lot more just for fun, you’re going to be served some dishes that fail unequivocally. Mine included porchetta at Towne Stove and Spirits (dry and inedibly tough, a $35 fiasco), bucatini amatriciana at Strega Waterfront (overcooked, oversauced, overdosed with pecorino and lacking guanciale), and seared skate at Sam’s at Louis Boston (bludgeoned to death with a salt shaker). Those are all kitchens with talent, but boy, did those plates flop hard.
  • Most Sobering TV Story Arc Award: to Season 4 of Mad Men, AMC’s acclaimed drama set in a 1960s Manhattan advertising agency. In Seasons 1 to 3, the show so glamorized old-school boozing that you wanted to head directly to Deep Ellum or Green Street after each episode for a classic cocktail, or to eBay to bid on some vintage highball glasses. This year it followed brilliant and troubled ad man Don Draper’s grim downward spiral into alcoholism. So depressing were Don’s rye-soaked travails that we considered quitting drinking altogether. Not even an actor of Jon Hamm’s considerable skills can make sweaty projectile vomiting the morning after an extremely ill-considered hookup look sexy.
  • Happy For You, Not Me Award: to Rino’s Place, the family-run Eastie spot that serves excellent Italian-American fare and fabulous traditional Italian specials. A spate of critical raves (mea culpa: I lauded it in The Phoenix, as subsequently did the Boston Herald, Phantom Gourmet, and most fatally, Diners Drive-Ins and Dives) has engendered three-hour waits on weekends. Rino’s deserves the crowds; I just can’t spare the time to get a table there anymore. (Personal Hell Sub-Award: I'm the one who tipped off Guy Fieri's producers about Rino's.)
  • Ludicrous Food-Nerd Elitism Award: to anyone who dismisses gussied-up versions of lowborn food as “inauthentic”. In my accounting, the urge to glorify foods originally served from street carts, food trucks, carnival tents, and ballpark concession stands isn’t pretension. Rather, it's natural for creative, restless chefs to apply skill and quality ingredients in the interest of elevating ignoble dishes. By all means, diners should understand and appreciate these foods in their traditional incarnations. But spare me the reverse snobbery that says that poutine stops being poutine the minute you add foie gras. If you’ve ever paid more than eight bucks for a burger, you’re already down that rabbit hole.
  • Burn Your Own House Down Award: to The Upper Crust pizzeria chain, excoriated in a devastating Boston Globe story for allegedly engaging in ruthless, systematic exploitation of its Brazilian kitchen workers. Bad enough that a 2009 US Labor Department investigation awarded workers $350,000 in back wages, but now a newer investigation and class-action lawsuit depict management as trying to sidestep that settlement and continuing its other abuses. [Update: a former longtime Upper Crust manager who blew the whistle to the Labor Department is now suing, saying that owner Jordan Tobins retaliated against him by falsely accusing him of robbery, withholding hundreds of dollars from his last paycheck, and threatening to kill him.] The restaurant’s public demurral looks pretty feeble, effectively, "Sometimes people say untrue things." Many customers are buying their pies elsewhere until the dispute gets its next day in court.
  • Worst Enduring Cocktail Trend Award: to drinks that pander to one’s inner sugar-craving adolescent. The now widely-banned Four Loko was obviously targeting idiot youths with its 23.5-ounce can, Slurpee-inspired flavors, 24-proof strength, and double-Red-Bull stimulant dose; no wonder it induced blackouts and alcohol poisoning. Meanwhile, 30-proof alcohol-infused canned whipped cream and 80-proof chocolate milk remain on the shelves. Worse, some imp is goading the otherwise estimable Lydia Shire to create libations like the Holiday Macaroon, a froth of coconut and chocolate vodkas, crème de menthe and cream that looks like a Shamrock Shake in a cocktail glass. Unless you’re a grandma having one for dessert, I’m begging you: can we please just drink like grownups?
  • Charm Is Tough to Replicate Award: to Kelly’s Roast Beef, which opened a new store in Allston with the same menu as the 1950s-vintage Revere Beach original, including the famed North Shore-style roast beef sandwich it invented and some excellent fried clams. But the new outlet, like every Kelly’s except the mothership, has all the allure of a slightly-upscale Burger King. This food just isn't the same if you’re not perched on a seaside bench, defending your fries from aggressive seagulls.
  • Humankind Is As a Plague of Locusts Unto the Earth Award: to the perilous lurching of bluefin tuna, caviar sturgeon and other coveted food fish toward extinction through overfishing. It’s like we’re all in that scene in The Freshman, gloatingly eating the last of each species out of spite and self-satisfaction in our dominion over the biosphere. Seems like Homo sapiens needs to be shoved down a ring on the food chain, maybe by some War of the Worlds style blood-sucking aliens, to better appreciate the virtues of sustainable eating.
  • Even Chains Get It Right Sometimes Award: to the roast beef on kümmelweck sandwich at Bleacher Bar, a Lyons Group establishment best known for its center-field-wall view into Fenway Park. A Buffalo specialty rarely seen in Boston, "beef on weck" features a caraway-and-butcher-salt-topped roll, lots of thin-sliced rare roast beef, plus some jus and horseradish. Bleacher Bar's rendition hits all the right notes, and the bar shows Bills games and serves wings in season. Pretty fine work -- or so say my cousins from Buffalo.
  • Budget-Restaurant Personality of the Year Award: to Winston “Al” Niles, the garrulous, courtly Jamaican ex-pat behind WAN Convenience Store and Deli. With a steady stream of affable patter, Mr. Niles keeps a queue of Mission Hill regulars enthralled as he leisurely assembles delicious, messy, Dagwood-like sandwiches. Note that Al still operates on island time, meaning his posted opening and closing hours are more like suggestions than rules.
  • Most Delusional Customer Award: to the party at Myers + Chang who requested a doggie bag, forgot it, called to learn it was being held for them, and rather than return, demanded a gift certificate for the value of the food. (M+C declined. I suggested they mail the leftovers via Parcel Post.) This kind of outrageously grasping, absurdly self-entitled behavior keeps Boston civility advocate Patrick Maguire clacking, dumbfounded, on his Server Not Servant blog.
  • Big in 2010, Bigger in 2011 Award: to the influence of technology on restaurant/customer interactions, from Facebook and Twitter marketing, to Groupon-like email promos, to online booking via OpenTable and Rezbook, to billions of amateur food blogs and online consumer reviews. Maybe restaurants will finally figure out that hyper-animated websites are less useful than plain ones that merely deliver contact info, hours and menus – especially since iPhone and other popular mobile platforms don’t support Flash. Maybe diners will grasp that location-based check-ins say, “Burgle me, I’m not at home.” And with any luck, the bright minds at Quest Visual will do a Han character version of their astonishing Word Lens app, so I can easily translate Chinese restaurant signs, menus and specials boards. I’d take that over a personal jetpack any day.
Here’s hoping that 2011 ladles you up a nice cup of punch, tweets you the location of your favorite food truck, keeps the neighbors from bitching about your CSA crate in the hallway, convinces you to try the roast pig’s-head entree, and feeds your kid a healthier school lunch. As my friends in Natal say, Oogy wawa!

* Last year's awards are here.

13 December 2010

15 Highlights from My 2010 Fine-Dining Column for Stuff Magazine

The year-end issue of Stuff Magazine just came out, and as such it includes several 2010 retrospectives. One is a look back at my biweekly Food Coma column which reviews fine-dining restaurants in Greater Boston, trying to give readers a broad flavor of the restaurant while highlighting one particularly outstanding dish.

The Ultimate Food Coma: The 25 Best Things We Ate This Year not only includes my best-of picks from my 2010 year of high-end dining out on behalf of Stuff, but also includes Scott Kearnan's ten favorites from his Stuff It column, which tends to focus on more casual venues. Here's a breakdown of our picks.

From MC Slim JB’s Food Coma column:


From Scott Kearnan’s Stuff It column:

10. The mezze platter at Karoun
9. Butternut squash ravioli at Barlow's
8. Deviled eggs at Deep Ellum
7. Croque Dog at Mike & Patty's
6. Pork Milanese at Geoffrey's Cafe
5. Deep-fried lobster legs at The Barking Crab
4. Meat pies at KO Catering and Pies
3. Mac Attack at Boston Burger Company
2. Masala ravioli at Da Vinci Ristorante
1. The All the Way dog at Tasty Burger

The feature reflects my general sentiment that despite the lingering chill of the recession, 2010 was still a great year for restaurants Boston, with operators old and new giving us plenty of good reasons to keep dining out. Here's hoping 2011 represents a broad upswing for all of us.

08 December 2010

Food Writing 101: On Vocabulary -- A Love Letter/Bitch Session, by Denveater & MC Slim JB (Part 2 of 2)

[Here's Part 2 of an essay on food-writing words we love and hate. Part 1, focusing on the love part, appears here. The "we" is me and my friend / fellow food writer Ruth Tobias of Denver food blog Denveater, where this piece also runs. The whole thing was Ruth's idea; I just tagged along.]

Words/Phrases MC Slim JB Hates

Slim: “The food writing that most offends me reflects laziness: a reliance on shopworn clichés and the overblown yet vacuous language of restaurant-industry press releases.”

[verb]ed (e.g., cooked) to perfection. That’s not writing, that a lift from a Denny’s menu. Shame on you.

Washed down with. Nothing says “I really enjoyed that beverage” like calling it a lubricant for your food-chute. [Guilty, but then I’ve never been known for gracefulness at the table—Denveater.]

Mouth-watering. Salivation is like an erection: essential to the process of enjoyment, and a universally-understood signifier of excitement. But while I appreciate my own, I don’t care at all for descriptions of yours.

Drool (as an interjection). Mouth-watering, as said by a teenager in a text message.

To die for. Cute when your Yiddish grandma says it, a deathly cliché when you do.

So good. Empty and stupid even before “Sweet Caroline” became a sports-arena staple.

Foodie. Bad enough that it’s infantile. But it has been co-opted by so many ridiculous people who think their love of food somehow makes them extraordinary—from the odious I-got-to-the-It-Place-before-you type to the I’m-pickier-about-my-Cheesecake-Factory-selections-than-you idiot—that it deserves banishment.

Homemade. That should be house-made, unless it was actually made in someone’s home.

Ethnic or authentic. When you say ethnic, I suspect you mean “food from a tradition other than white bread, mid-century American,” which does not reflect well on your worldliness. When you say authentic, I suspect you mean “Just like I had that one time I went to Bangkok for three days”, or “Just like my third-generation Italian-American mom made”, meaning you’re claiming some authority you probably don’t have. Traditional is generally safer and more accurate in both cases.

Crispy (should be crisp). Okay, this might be pure pedantry on my part.

Finger-licking. Unless you mean to say that the venue serves finger food but does not supply napkins, this does not reflect well on your table manners.

From hell. If you’re aiming to describe capsicum heat, or badness, you can do better.

Indulgent. This word makes me think of TV ads trying to glamorize flavored instant coffees. Let’s take it as given that paying to have food prepared and served to you by professionals is already an indulgence. If you mean there’s a lot of fat and sugar in your dish, please be more specific.

Scrumptious. I admit to falling back on simple superlatives and synonyms for delicious on a regular basis. There’s just a glimmer of eye-twinkling in this one that irks me. [Another one I’m partial to, I think because it sounds like the way I eat: scrump, scrump, scrump…Denveater]


Words Denveater Hates

Chowdah, etc. Real accents are charming; feigned, transcribed accents are just embarrassing. Forget “chowdah.” Forget “N’Awlins.” And for God’s sake forget “fuhgeddabouddit.”

Food porn; also crack, orgy, etc. Enough with the faux-edgy references to sex & drugs—yawn. Unless the food you’ve photographed contains actual boobies or you’ve literally been shooting up schmaltz in a back alley, eyes rolling back into your skull, the slang has long since ceased to shock.

¡Olé!; also Opa!, Mangia!, etc. Please, oh, please refrain from the belabored, ethnically stereotyped interjections. Do you actually let it fly during your meal? Does anyone actually shout it at you while serving your meal, outside of the Epcot Center? No, because it’s not a small world after all, it’s a big, bad one where the only proper response to such forced conviviality should be a cold black stare.

Heavenly; also divine, sinful etc. Leave the moral discourse to Sunday sermons & Family Circle. Not only is it not very useful—what exactly does heaven taste like? Ether? The simultaneous ejaculation of 72 virgins?—it just smacks of an era when euphemisms were power plays, when all the ladies wore aprons & stood sobbing quietly in their state-of-the-art kitchens before gleaming refrigerator doors with signs like “A moment on the lips, forever on the hips.” Depressingly prim.

Sammy/sammie. The infantilization of the word “sandwich” is irritating beyond belief not least because it’s pointless as a shortcut—the number of syllables still adds up to 2! Granted, if you’re regressing to toddlerhood as thoroughly as your vocabulary suggests, you may no longer be able to count to 2.

Stoup; also choup. This one goes out to Rachael Ray, who is as much a writer as she is a chef, which is to say not at all. Even “TV personality” gives her too much credit; in fact, it’s her lack thereof that confirms the suspicion that she’s probably a robot built by the Food Network to take over the world one brain-melting slice of microwaved bacon at a time. That would explain her programmatic abuse of the English language. She defines “stoup” as “thicker than a soup but not quite a stew” (and, even stoupider, “choup” as “thicker than a stew but not quite a chowder”). It’s like that old joke, “Waiter, there’s a hair in my soup!”—I don’t want the hairs she’s splitting (for the sake, I assume, of trademarks) anywhere near my bowl. Depending on the ingredients, a thick, chunky soup is a stew or a chowder; there’s no need or room for an intermediate stage. Longest 15 minutes of fame ever.

MC Slim JB concludes: “I hope readers understand that we’re not being prescriptive here: we want you to write as you write, not as we write. I admit to having committed most of these sins over the years myself. But if you want readers to keep coming back, my advice is to be vigilant against the trite, the vague and the cutesy. If you want to be read like a pro, you’ll have to rise above the level of the typical lazy Yelper. There, we summarized that to perfection, and it was more outrageously awesome than a barrel of vivacious monkeys, LOL! I think we’re done here. ¡Olé!"

06 December 2010

Food Writing 101: On Vocabulary -- A Love Letter/Bitch Session, by Denveater & MC Slim JB (Part 1 of 2)

[Here's another in a series of joint essays by me and my friend and fellow food writer Ruth Tobias of Denver food blog Denveater, where this piece also runs. Ruth conceived of this piece, so she's the "I" here; my contributions are noted explicitly.]

Every so often, some Chowhound starts a particularly juicy, funny, & unnerving thread (like this one) about foodie terminology that either tickles or rankles — usually the latter (including “foodie” itself). Without meaning to come off like a Teen Talk Barbie, I can’t help but whine a bit as I read them about the fact that "food writing is hard!" insofar as there are only so many words to describe the sensation of taste. Play it safe, & you’re bound to bore everyone out of their skulls, yourself included; jazz it up, and you’re sure to raise the howling specter of Restaurant Girl, the New York Daily News’s infamous erstwhile critic whose prose prompted my Boston-based food-critic pal MC Slim JB to host what remains one of my favorite snark-parties ever on the boards. A taste of Danyelle Freeman’s work:

"Even better, the homemade ravioli look like a store-bought sheet straight from a box. It's a deceptive maneuver with criminally delicious returns: Each doughy pocket gets plumped with a vivacious mix of four cheeses and spackled with a silky lettuce sauce."

Still, preferring the sound of laughter, however derisive, to that of steady snoring, I know I err on the side of exuberant overwriting myself. Slim agrees: “My food writing tends towards the rococo, especially when I’m trying to communicate emotions inspired by food. If you want to go beyond food reporting (‘Here’s what was served, how it looked, the ingredient list’) and give readers a flavor of the experience of pleasure in eating, it’s tough not get a little florid at times.”

Slim goes on: “The reality is that writing, not just food writing, truly is hard, even for people who ostensibly have the tools. For example, the notorious Ms. Freeman went to Harvard, wrote for the fourth-largest daily in the US, understands grammar and syntax, and has a high-SAT-score vocabulary. Nevertheless, she’s just an appalling writer, almost unreadable in her awfulness. But she’s an extreme example. The sins that offend us daily are more garden-variety: crimes against diction, thudding clichés, unnecessary neologisms. You don’t have to be Restaurant-Girl-horrendous to make us wince, eye-roll, or wish you’d done one more revision: just use hackneyed, empty phrases like cooked to perfection’.”

Words, we recognize, are like anything else we humans use to communicate who we are & where we stand—gestures, clothing, hairstyles: they’re a matter of taste (in the broad sense), which means not everyone is going to like them. Hence, while we’ve been dishing for years on our own pet phrases—haters be damned!—as well as the clunkers & clichés that make us cringe, we don’t agree on everything. All part of the fun learning curve.

Here, then, is our signed manifesto/confession/defense.

Words MC Slim JB Loves

Says Slim, “I’m not offering these as Words Food Writers Should Use, just examples of Words I Love. I culled these from the sixty professional pieces I wrote this year. I sweat hard over word choice; few editorial decisions annoy me more than the substitution of an insipid, ninth-grade-reading-level word for one I painstakingly chose for its dense or allusive or narrow meaning. Saying a flavor is assaultive is not the same as calling it strong or intense.”

Describing qualities of food: toothsome (properly used to describe a certain texture, typically of pasta), luscious,velvety, zippy, lusty, miserly, parsimonious, prosaic, lyrical, zingy, bedecked, cunning, vivid, eye-goggling,acerbic, insipid, high-craft, icky-sweet

Describing a venue or its atmosphere: dumpy, seedy, ramshackle, a hog trough, boîte, hell-hole, soigné,crepuscular, dingy, gouging, a swindle, frippery, glowing, low-fuss, glossy, faux glamour, theme-parky,kitschy, hokey

Describing servers and chefs: convivial, stony, sassy, sweet-natured, cherubic, toque, seminal

Describing customers: food nerd (my coinage to replace foodie), white-bread, inky-hipster, multi-culti, philistine, nutbag, ding-dong

Intensifiers (positive): dizzying, ravishing, rough-and-ready, beguiling, righteous, serviceable, precious, gobsmacking, jaw-dropping, breathtaking

Intensifiers (negative): shameless, harrowing, appalling, sullied, dubious, benighted, fraudulent, egregious, grotesque, bastardized, grating

Slim, in reviewing this list: “Pretentious? Possibly, though I’ll defend foreign words like recherché when English doesn’t have pithy equivalents. Forcing you to consult dictionary.com? Occasionally, though I never choose a fifty-cent word when the nickel one will suffice; nobody likes a showoff. [Except me.—Denveater] Saying precisely, pungently what I mean? That’s the ultimate goal, the rationale behind every word choice.”

Words Denveater Loves

Boîte. Yeah, yeah, yeah, French throwaways are pretentious. But the English equivalent, “nightclub,” is a snooze. And where would you rather be—in the tiny, twinkling café, drinking wine & eating cheese by candlelight to the stylings of a beret-topped guitarist, that “boîte” evokes, or in the strobe-lit slaughterhouse of a “nightclub,” surrounded by screaming, stumbling, puking also-ran-tweens? Exactly.

Crispy. Slim’s right (see Part 2); crisp does the trick. But the diminutive -y suffix is just so damn cute, taking me back to Prague circa 1998, where the bathrooms were marked Toilety

Eatery. Why this term strikes people as cutesy is beyond me—it’s really about as straightforwardly all-purpose as they come. Not every place that serves food is a café (which implies a degree of informality) or even a restaurant (Italians, at least, reserve ristorante for a high-end establishment), much less a taqueria/trattoria/tapas bar/bistro/barbecue shack/izakaya et cetera. But they’re all eateries.

Gastropub. I get the complaints, but I don’t agree with the complaints. The word was coined in the UK more than a decade ago under perfectly reasonable circumstances: to convey the fact that the word “pub” no longer needed be synonymous with “greasy grub” whose sole purpose was to absorb alcohol as quickly & unremarkably as possible. A chef-led movement toward food that was deceptively simple rather than merely honest, hearty, & every bit as delicious as the ales & ciders they accompanied was underway; that movement has turned out to be a revolution, & its stateside variant is to be applauded. Accordingly, the prefix “gastro” strikes me as sensible; those who object to it on the grounds that it reminds them of stomach ailments then must also do away with “gastronomy,” a word that dates back to 4th century Greece. The fact is, eating doesn’t begin & end with the mouth; it involves the whole digestive system. If Americans accepted that more readily—the processes and consequences of food intake—maybe we’d be in better shape.

Quaff. Okay, it’s a little goofy, but we English speakers have far too few opportunities to use the letter “q.” And the fact that its coinage dates back to 1523 speaks to its antiquated appeal: it makes me think of toddies & wassail & other such festive bygones.

Succulent. A sexy alternative to “moist” or “juicy.” Some people say you shouldn’t use $2 words when 10-cent words are available; I say those people are linguistic cheapskates. (Slim excepted.)

Unctuous. It’s true that the word has negative connotations—but only when used in its figurative sense, to mean “ingratiating.” Used in its literal sense, as a synonym for “oily” or “fatty,” it’s not unpleasant to me; in fact, unlike its synonyms, it suggests a softness or smoothness that may have to do with the fact that unction is a healing ritual. Think of it, then, as implying that butter makes you better, & slather it on!

Part 2, on Words We Hate, is here.