Showing posts with label Mad Men. Show all posts
Showing posts with label Mad Men. Show all posts

17 April 2011

Jackets-Required Fine Dining Is Dying. Does Anybody Care?

You don’t have to be very old to remember a time when certain Boston restaurants had a jackets-required rule. Locke-Ober, the Dining Room at the old Ritz-Carlton (now the Taj), and L’Espalier (in its original location) were three notable examples of rooms that insisted that male customers wear a tailored sport coat or suit to gain admittance. The maître d' literally would not seat you in the dining room without one. If you didn’t have the foresight to wear a jacket, or were arrogant enough to think they’d bend the rules for you, you faced a choice: go home and change, don one of their humiliating, ill-fitting loaner blazers, or dine somewhere else.


And they were dead-serious about it. Mick Jagger was famously denied entrance to even the bar at the Ritz in his t-shirt and jeans; being rich, famous, and a guest at the hotel didn’t matter. At Locke-Ober, that hallowed Downtown refuge for Boston’s vanishing Brahmin class, I witnessed many a host-stand scene featuring a young, well-heeled customer arguing in vain that his jeans cost $300, why couldn’t he get a table? But the jacket was non-negotiable. The owners were throwing a specific kind of party, and the invitation said “semi-formal attire”. You could get with the program, or take your business elsewhere.

That once-sacred condition of entry to the city’s temples of gastronomy is rapidly going the way of the dodo, the travel agent, and the landline phone. L’Espalier moved from its romantic but cramped quarters in a Back Bay mansion three years ago to spacious (if comparatively charmless) digs in the nearby Mandarin Oriental; dropping the dress code was a condition imposed by the hotel, which wanted its guests to have unfettered access. Before it became a Taj, the old Ritz closed its dining room and dropped the bar’s dress code; to the chagrin of old-timers, you could get a drink there in jeans and no jacket. But the true death-knell just sounded this month: Locke-Ober, the last restaurant in Boston to enforce a strict dress code, recently reopened after a brief hiatus, and its new owner has shot the jackets-required rule, though jeans and sneakers remain verboten.

Today, a few Boston restaurants say “jackets suggested”, but even the most casually-dressed patrons rarely get turned away. I recently dined at luxury steakhouse KO Prime next to a large table of businessmen in golf shirts and baseballs caps. In the new location of L’Espalier, one of the most formal and expensive restaurants in the city, I’ve seen customers in hooded sweatshirts, rocker gear (ragged jeans, motorcycle boots, band t-shirts), track suits, and head-to-toe Ed Hardy, complete with matching trucker hats. In the summer, it’s not unusual at places that charge $40 for entrees to see men wearing shorts and flip-flops that expose gnarly, ungroomed toes. (There’s a reason most fancy-restaurant dress codes are aimed explicitly at men; women seem to dress better without coaching.)

How did fine dining go from an occasion for your Sunday best to the equivalent of a Jersey Shore casting call? A few things are going on:
  • American dress sense has gotten steadily more informal. A hundred years ago, a gentleman wouldn’t think of dining out at a fancy restaurant in less than white tie – the Fred Astaire tailcoat, white pique formal shirt, vest and bowtie. To the horror of many at the time, this gave way to the tail-less dinner jacket, white pleated shirt, and black bowtie. Eyebrows were raised and tongues clucked again when men stopped “dressing for dinner”, i.e., changing into a tux from their daytime business suit and necktie. The next horror showed up only in a sport coat and slacks, first with a tie, but soon in a turtleneck or open-collared shirt. From there, it was a few short steps to no jacket at all, just a golf shirt, then t-shirt, then neon mesh wife-beater.
  • High-end dining is changing. Many restaurateurs, younger independent chef/owners especially, have fled the formality of the old Michelin-starred haute-cuisine palace, with its stiffness, white tablecloths and 20-piece place settings, preferring the casual conviviality of the bistro. While the food itself isn’t necessarily casual– it may in fact reflect just as much laborious technique, costly ingredients, and artful plating as the old school -- owners want the ambiance to be more relaxed. Even Boston’s Oak Bar, one of the city’s last surviving stately old rooms, is about to undergo a casual makeover. The tuxedoed waiter armed with a silver crumber has been pink-slipped.
  • Restaurants can't afford to turn away the business. Between the depressed economy, rising food costs, and new expenses like OpenTable and Groupon, many restaurants are struggling to stay profitable and win new customers. Given similar choices, customers will often opt for the restaurant that doesn’t make them dress up. As a recent Wall Street Journal article noted, even restaurateurs who cherish tradition and think that well-dressed patrons improve the atmosphere can no longer bear the competitive disadvantage of a dress code.
Many customers argue vehemently against dress codes, too. “I hate dressing up; I’m so happy I can have a nice meal and feel comfortable.” “Dress codes are elitist, designed to keep the hoi-polloi out. We’re a democratic society; you should be able to dine wherever you want to without owning an expensive suit.” “Go ahead and dress up if that’s what floats your boat, but don’t make me do it. You should be focusing on your companions and your dinner, not what I’m wearing.”

At the risk of sounding like a creaky grandpa, moaning that the world is going to hell and young people these days don’t know how to behave, I confess to some regret over this development. Americans have progressed with informality in dress to the point where we appear to have lost our sense of occasion entirely. We go to church in sweatpants, answer court summonses in novelty t-shirts, wear pajamas to the supermarket, sport jeans at funerals. More formal dress once symbolized the differentness of certain occasions from the humdrum social interactions of quotidian life. We’ve flattened that out to one loose, casual one-size-fits-all.

A consequence of this uniformity is that special-occasion dining doesn’t feel as special anymore. I think a roomful of dressed-up patrons feels very different from one in which some folks are dressed up and others down. I get annoyed by people who show up at a Halloween party, black-tie wedding, or opening-night gala without applying enough effort to their attire to reflect the spirit of the occasion. A jackets-suggested restaurant is also a sort of costume party, and folks that flout the dress code are detracting from the atmosphere. That couple over there is trying to celebrate their silver wedding anniversary, and you look like you just strolled off the 18th hole? That strikes me as lazy and ungracious.

In certain settings, overly casual dress can be like too much perfume; there are limits to how much you can consciously shut it out of your senses. Try not to think about an elephant; it can be hard to pretend you can’t see that dude’s armpit hair right in your line of sight. Good manners are designed to help minimize the inevitable friction that results in public life, and they used to imply more effort than simply asking your neighbors to ignore you. Nice restaurants have joined the growing ranks of places in which American men no longer feel obligated to put on long pants, and I think that’s a shame.

I also worry that our all-casual, all-the-time sensibility is related to a broader coarsening of our culture, the decline of civility toward strangers in public life, the bubble of self-entitlement that a growing number of people appear to live in. I suspect the absence of a sense of decorum, an underdeveloped belief that some situations demand more formal behavior and dress than others, might be of a piece with our society's increasing rudeness and self-centeredness.

Ultimately, the death of jackets-required won’t make a huge dent in my life. I spend most of my time in and generally prefer more casual places. My professional restaurant reviewing duties are evenly split between fine dining and budget-priced restaurants, but even in the fancy joints, what excites me most is the food, not the ambiance. I understand how we got to this point, and respect restaurateurs' decisions to relax their standards. I personally wouldn’t mind if we rolled the sartorial clock back to the Mad Men era, arguably the last high point in American dress sense, but I know that ship has sailed.

Still, I can’t shake the feeling that something small but significant is being lost, and once gone, it will be gone forever. What remains of our dining-out culture will be slightly sadder, shabbier -- a bit more vulgar. It’s not the end of civilization, just the passing of a small grace, another tiny corner of a more genteel world sacrificed for our schlubby comfort. I think maybe I’ll put on a suit, head over to the Oak Bar, and have a drink there before it becomes just one more place where a jacket looks as quaintly old-fashioned as Don Draper’s tie bar. Sic transit gloria.

19 December 2010

The 2010 Devil's Dining Awards

2010 was both brutal and promising for Boston’s restaurant industry. I handed out my usual professional accolades: the annual Stuff Magazine Dining Awards (with my friend and frequent collaborator Ruth Tobias); some year-end highlights from Food Coma, my biweekly fine-dining column for Stuff Magazine; and a year-end retrospective of On the Cheap, my budget-dining perch at the Boston Phoenix.

But there's never enough room to laud the praiseworthy or take a prose scimitar to the crass, the ridiculous, the fraudulent and the shameless -- except here, where space is free and no editor frets about whom I might offend. So for the second year running *, here’s my personal take on the extraordinary, high and low, in Boston’s dining and drinking scene: the 2010 Devil's Dining Awards!
  • Funniest Bid to Attract an Industry Crowd Award: to The Citizen Public House and Oyster Bar, for serving draft Fernet Branca at $3 a shot. At this terrific new Fenway joint from the Franklin Café gang, it takes eighteen 750ml bottles to fill the reservoir of Fernet, a tipple favored by bartenders, servers and cooks as an after-work cool-down chased by a High Life or Bud Lite Lime. I've advocated the joys of this poisonously-bitter Milanese digestif for years, so I’m gratified by its surging popularity. But the day it began flowing cheaply from a tap? I did not see that one coming.
  • The Horror Behind the Mask Award: to the Brothers Andelman of The Phantom Gourmet, a local restaurant-review TV show. No, it’s not for polishing the knobs of their advertisers: even their dimmest viewers recognize that the Andelmans are shameless whores. Rather, it’s the phony gusto with which the boys smack their lips on-camera over the fatty/starchy fare in which the program wallows: cupcakes, ribs, chicken parm, anything deep-fried and drenched with syrup, gravy or melted cheese. The truth is that Dave is a fitness fanatic, Mike a vegetarian, and Dan (judging from the places I routinely ran into him when he lived in town) more fond of tony fine-dining establishments than dripping steak bombs and glazed donuts. It’s like discovering the Red Sox color guy is secretly a Yankees fan: the Phantom loves arugula!
  • Ballsiest Debut Award: to Somerville's Journeyman. Sure, Barbara Lynch showed cojones by opening super-pricey Menton in the middle of an endless recession, but her backers have deep pockets: a flop wouldn’t kill her. Journeyman’s chef/owners Tse Wei Lim and Diana Kudayarova abandoned careers for which they’d earned MIT PhDs to open an expensive, ambitious restaurant in a modest corner of Somerville. The venture sometimes bespeaks an amateur’s learning curve, but the food is often breathtaking: snout-to-tail, intensely local and sustainable, occasionally molecular. As important, they’re doing what every gifted home cook fantasizes about, and in following their bliss, have mounted an enterprise that is at once humble and audacious. Bravo!
  • Saddest Closing Awards:
  1. Gitlo’s Dim Sum Bakery in Allston, which never recovered from the departure of its brilliant opening chef
  2. Beijing Star in Waltham, a superb traditional Northern Chinese restaurant
  3. Terrie’s Place, a Southie diner that referred to customers living more than a few blocks away as being "from out of state"
  4. The Forest Café, a long-running Cambridge townie dive / Mexican joint
  5. Café 57 & Grille, a fine indie breakfast/lunch place in Brighton that a competition-wary Dunkin’ Donuts apparently sued out of existence
  6. St. Alphonzo’s Kitchen, an amiable, eclectic Southie neighborhood spot; and
  7. Chef Chang’s House, a faded Brookline American-Chinese institution I’ll always remember from days long past when the venerable Grandpa Chang carved Peking duck tableside. RIP, all.
  • Biggest (Qualified) Surprise Award: to Strega Waterfront. I’ve hammered Nick Varano’s flagship North End restaurant Strega for its hideous décor, awful website, overpriced and inconsistent food, and stale-as-yesterday's-cannoli Hollywood-mobster theme. Varano calls it “Da bes’ Italian food in da city”; I call it “Artie Bucco’s Cheers Bar”. But while the new Strega Waterfront commits familiar sins – too many TVs, dubious red-sauce dishes (see below), portraits of Pacino and DeNiro apparently painted by the bastard offspring of Jackson Pollack and LeRoy Neiman – the kitchen occasionally sticks a landing, like with its lobster risotto. I can’t give the whole package a rave, but the food does ascend at times to trump the tacky shtick.
  • Don’t Let the Door Hit You Award: to Don Otto’s. After closing for good, this short-lived South End gourmet grocery/deli penned a snotty website broadside that blamed its failure on disloyal, philistine customers and the perfidy of Wal-Mart (closest outlet: a half-hour drive away). Me, I ardently support local merchants, shun Wal-Mart and gladly pay a premium for quality, but I was done with The Don after I spied rotten, moldy fruit there. I’m sorry, Don Otto: it’s not me, it’s you.
  1. Deuxave -- a delightful restaurant with great food, service, wines and atmosphere, but “Douche Ave” just comes to mind way too easily
  2. Waxy O’Connor’s -- ugh, just… ugh
  3. Toby Keith’s I Love This Bar & Grill -- I loathe that song, and celebrity-owned chains
  4. Twitters Bar & Grill -- three words: Not On Twitter
  5. Pasta Beach -- maccheroni is not good for your swimsuit figure; saucy foods and sand don't mix.
  • Most Futile Hail-Mary Pass Award: to North End restaurant Davide for its pending appearance on Kitchen Nightmares. Fox’s restaurant-makeover show follows Gordon Ramsay, the talented but money-grubbing British chef, as he expresses disgust at a struggling restaurant's food, then profanely tongue-lashes the incompetent owners, cooks and waitstaff into submission. He then oversees a perfunctory menu and dining room face-lift before exiting triumphantly. The show's dirty secret is that Chef Shouty McSpittlefleck never addresses the business management issues at the root of most restaurant failures. So Davide will likely suffer the same fate as most of Ramsay's Cinderellas: a brief bump in popularity after the episode airs, failure within a year or two anyway, and the eternal afterlife of its public humiliation on YouTube. If you're a restaurateur in similar straits, consider preserving your dignity by just closing quietly.
  • Most Passé Bill-Padding Gambit Award: to pushing bottled water. Trying to make customers feel like peasants for choosing Boston’s excellent tap water over some pricey import is not only a dreadful first service interaction, but also out of step with the times. Smart places like The Russell House Tavern are doing the green thing, filtering and bottling their own still and sparkling water and serving it gratis. I’ll have the local, sustainable choice, thank you very much.
  • Lead Balloon Awards. If you write 70 or so professional reviews a year and dine out a lot more just for fun, you’re going to be served some dishes that fail unequivocally. Mine included porchetta at Towne Stove and Spirits (dry and inedibly tough, a $35 fiasco), bucatini amatriciana at Strega Waterfront (overcooked, oversauced, overdosed with pecorino and lacking guanciale), and seared skate at Sam’s at Louis Boston (bludgeoned to death with a salt shaker). Those are all kitchens with talent, but boy, did those plates flop hard.
  • Most Sobering TV Story Arc Award: to Season 4 of Mad Men, AMC’s acclaimed drama set in a 1960s Manhattan advertising agency. In Seasons 1 to 3, the show so glamorized old-school boozing that you wanted to head directly to Deep Ellum or Green Street after each episode for a classic cocktail, or to eBay to bid on some vintage highball glasses. This year it followed brilliant and troubled ad man Don Draper’s grim downward spiral into alcoholism. So depressing were Don’s rye-soaked travails that we considered quitting drinking altogether. Not even an actor of Jon Hamm’s considerable skills can make sweaty projectile vomiting the morning after an extremely ill-considered hookup look sexy.
  • Happy For You, Not Me Award: to Rino’s Place, the family-run Eastie spot that serves excellent Italian-American fare and fabulous traditional Italian specials. A spate of critical raves (mea culpa: I lauded it in The Phoenix, as subsequently did the Boston Herald, Phantom Gourmet, and most fatally, Diners Drive-Ins and Dives) has engendered three-hour waits on weekends. Rino’s deserves the crowds; I just can’t spare the time to get a table there anymore. (Personal Hell Sub-Award: I'm the one who tipped off Guy Fieri's producers about Rino's.)
  • Ludicrous Food-Nerd Elitism Award: to anyone who dismisses gussied-up versions of lowborn food as “inauthentic”. In my accounting, the urge to glorify foods originally served from street carts, food trucks, carnival tents, and ballpark concession stands isn’t pretension. Rather, it's natural for creative, restless chefs to apply skill and quality ingredients in the interest of elevating ignoble dishes. By all means, diners should understand and appreciate these foods in their traditional incarnations. But spare me the reverse snobbery that says that poutine stops being poutine the minute you add foie gras. If you’ve ever paid more than eight bucks for a burger, you’re already down that rabbit hole.
  • Burn Your Own House Down Award: to The Upper Crust pizzeria chain, excoriated in a devastating Boston Globe story for allegedly engaging in ruthless, systematic exploitation of its Brazilian kitchen workers. Bad enough that a 2009 US Labor Department investigation awarded workers $350,000 in back wages, but now a newer investigation and class-action lawsuit depict management as trying to sidestep that settlement and continuing its other abuses. [Update: a former longtime Upper Crust manager who blew the whistle to the Labor Department is now suing, saying that owner Jordan Tobins retaliated against him by falsely accusing him of robbery, withholding hundreds of dollars from his last paycheck, and threatening to kill him.] The restaurant’s public demurral looks pretty feeble, effectively, "Sometimes people say untrue things." Many customers are buying their pies elsewhere until the dispute gets its next day in court.
  • Worst Enduring Cocktail Trend Award: to drinks that pander to one’s inner sugar-craving adolescent. The now widely-banned Four Loko was obviously targeting idiot youths with its 23.5-ounce can, Slurpee-inspired flavors, 24-proof strength, and double-Red-Bull stimulant dose; no wonder it induced blackouts and alcohol poisoning. Meanwhile, 30-proof alcohol-infused canned whipped cream and 80-proof chocolate milk remain on the shelves. Worse, some imp is goading the otherwise estimable Lydia Shire to create libations like the Holiday Macaroon, a froth of coconut and chocolate vodkas, crème de menthe and cream that looks like a Shamrock Shake in a cocktail glass. Unless you’re a grandma having one for dessert, I’m begging you: can we please just drink like grownups?
  • Charm Is Tough to Replicate Award: to Kelly’s Roast Beef, which opened a new store in Allston with the same menu as the 1950s-vintage Revere Beach original, including the famed North Shore-style roast beef sandwich it invented and some excellent fried clams. But the new outlet, like every Kelly’s except the mothership, has all the allure of a slightly-upscale Burger King. This food just isn't the same if you’re not perched on a seaside bench, defending your fries from aggressive seagulls.
  • Humankind Is As a Plague of Locusts Unto the Earth Award: to the perilous lurching of bluefin tuna, caviar sturgeon and other coveted food fish toward extinction through overfishing. It’s like we’re all in that scene in The Freshman, gloatingly eating the last of each species out of spite and self-satisfaction in our dominion over the biosphere. Seems like Homo sapiens needs to be shoved down a ring on the food chain, maybe by some War of the Worlds style blood-sucking aliens, to better appreciate the virtues of sustainable eating.
  • Even Chains Get It Right Sometimes Award: to the roast beef on kümmelweck sandwich at Bleacher Bar, a Lyons Group establishment best known for its center-field-wall view into Fenway Park. A Buffalo specialty rarely seen in Boston, "beef on weck" features a caraway-and-butcher-salt-topped roll, lots of thin-sliced rare roast beef, plus some jus and horseradish. Bleacher Bar's rendition hits all the right notes, and the bar shows Bills games and serves wings in season. Pretty fine work -- or so say my cousins from Buffalo.
  • Budget-Restaurant Personality of the Year Award: to Winston “Al” Niles, the garrulous, courtly Jamaican ex-pat behind WAN Convenience Store and Deli. With a steady stream of affable patter, Mr. Niles keeps a queue of Mission Hill regulars enthralled as he leisurely assembles delicious, messy, Dagwood-like sandwiches. Note that Al still operates on island time, meaning his posted opening and closing hours are more like suggestions than rules.
  • Most Delusional Customer Award: to the party at Myers + Chang who requested a doggie bag, forgot it, called to learn it was being held for them, and rather than return, demanded a gift certificate for the value of the food. (M+C declined. I suggested they mail the leftovers via Parcel Post.) This kind of outrageously grasping, absurdly self-entitled behavior keeps Boston civility advocate Patrick Maguire clacking, dumbfounded, on his Server Not Servant blog.
  • Big in 2010, Bigger in 2011 Award: to the influence of technology on restaurant/customer interactions, from Facebook and Twitter marketing, to Groupon-like email promos, to online booking via OpenTable and Rezbook, to billions of amateur food blogs and online consumer reviews. Maybe restaurants will finally figure out that hyper-animated websites are less useful than plain ones that merely deliver contact info, hours and menus – especially since iPhone and other popular mobile platforms don’t support Flash. Maybe diners will grasp that location-based check-ins say, “Burgle me, I’m not at home.” And with any luck, the bright minds at Quest Visual will do a Han character version of their astonishing Word Lens app, so I can easily translate Chinese restaurant signs, menus and specials boards. I’d take that over a personal jetpack any day.
Here’s hoping that 2011 ladles you up a nice cup of punch, tweets you the location of your favorite food truck, keeps the neighbors from bitching about your CSA crate in the hallway, convinces you to try the roast pig’s-head entree, and feeds your kid a healthier school lunch. As my friends in Natal say, Oogy wawa!

* Last year's awards are here.

21 December 2009

The 2009 Devil's Dining Awards

I handed out a lot of recognition to Boston restaurants and bars in 2009: the annual Stuff Magazine Dining Awards; a Boston-centric “Ten Worst Dining Trends of the Decade” essay; and "2009: The Year in Cheap Eats", a year-end best-of list from my "On the Cheap" column for The Boston Phoenix. Seems like there's never enough room to shower kudos on every restaurant that deserves it: ditto the loud raspberries that ought to be sprayed at the crass, the ridiculous, the fraudulent and the shameless. But my blog has no space constraints or gentler-minded editors, so herewith I present a few more citations at year's end: call them the Devil's Dining Awards.
  • Best new cocktail trend. Authentic Tiki drinks. Forget about Scorpion Bowls at the Hong Kong and Mai Tais at suburban Polynesian restaurants: craft cocktail bars like Drink and Eastern Standard are reviving the authentic, 30s-vintage Tiki-bar mixology of Don the Beachcomber and his heirs. This is not a trivial endeavor, requiring house-made infused syrups, fresh juices, and many obscure spirits and non-alcoholic ingredients, including a battery of unusual rums, pimiento dram, Cherry Heering, Velvet Falernum, etc. But the results are breathtakingly complex, beautiful, and potent. Kitsch plus craft equals serious fun.
  • Worst new cocktail trend. Bars aping the trappings of craft cocktail bars and speakeasies but forgetting to bring the craft. Golden Age cocktails on your drinks menu, Prohibition era décor, and passwords at the door aren't enough. Building a real craft cocktail program demands training, hard work, study, and commitment, much like a fine-dining kitchen. Here's a hint: if you don't know how to consistently make a decent Sazerac, what glass it should be served in, why you might use Cognac instead of rye, and why the hospitality with which you serve it is as important as how well you make it, you're a faker with a very short shelf life. Here's another hint: if local cocktail maven Lauren Clark of the inestimable drinkboston.com isn't writing favorably about you, you probably suck.
  • Saddest budget-restaurant closings. Oran Café, a homestyle Moroccan restaurant in East Boston that only lasted for an eyeblink; Uncle Pete’s, a fine little purveyor of barbecue in Revere that could not survive its owner/pitmaster's passing this year; Rangoli, the Allston restaurant that introduced dosas and other South Indian specialties to Boston; Reef Café, a fantastic Syrian joint in Allston that was the definition of family restaurant: mom in the kitchen, son out front; and Poppa B’s, the Mattapan soul food standout that served Boston's best fried chicken (and by extension its best chicken & waffles) – but at least will survive as a Codman Square takeout place.
  • Worst trend for occasion diners. The death of the restaurant dress code. Nowhere in Boston does this hurt worse than at L'Espalier, whose new landlord, the Mandarin Oriental Hotel, nixed a longstanding jackets-required rule. You can now spend $400 commemorating your silver wedding anniversary while staring at a table full of louts bedecked in Ed Hardy ballcaps, t-shirts, jeans and sneakers. One hopeful counter-trend, as recently reported in a New York Times feature, is that a younger generation, taking cues from pop-culture touchstones like Mad Men, is finding that a slightly nattier style distinguishes them favorably from older schlubs who can't be bothered to don a jacket. Here's hoping that inclination gains momentum: no one needs to see tracksuits and hoodies when they're dropping a bundle on a big-number birthday dinner.
  • Local restaurant blog of the year. The tandem of Boston Restaurant Talk and Boston's Hidden Restaurants, a trove of restaurant reviews, discussion boards, and news of Boston-area restaurant openings and closings. Required reading for anyone obsessed with finding (and writing about) hidden gems in Greater Boston. Marc also does a great job of covering restaurants in lesser-known stretches of New England beyond the 128 beltway.
  • Proof that the South End is over. The March arrival of Stephi’s on Tremont, an injection of bleached-blond Newbury Street faux-glamour into a once-colorful ‘hood already overrun with white-bread Chads and Muffys. Meanwhile, atmospheric inky-hipster hangout Pho Republique, an original trailblazer on now-restaurant-lined Washington Street, closed after eleven years of upholding the neighborhood's artier, funkier, more multi-culti heritage. Sic transit gloria.
  • Best replacement for a departed star. Trina’s Starlite Lounge. Cambridge and Somerville heshers and hipsters alike lamented the death of the Abbey Lounge, a unique hybrid of townie dive and live indie-rock club. Then an all-star lineup from renowned neighborhood-bars-with-great-food (like Silvertone, Highland Kitchen, and Audubon Circle) stepped in to create a retro-cool haven of lawnmower beers and casual Southern-inflected cuisine. Manny, I mean, Abbey Who?
  • Nose Cut Off, Face Spited Award. To the former landlord of Bella Luna, the Milky Way Lounge & Lanes, and Zon’s, whose 85% rent increase convinced Bella Luna and the Milky Way to relocate (sans tenpin lanes) to a splendid new space in The Brewery complex, and forced Zon’s out of business. Cunning revenue-enhancement plan there, fella.
  • Best use of a potato (tie). Tater tots at Garden at the Cellar and potato pancakes at Café Polonia. The lowly kiddie-meal croquette and the usually-soggy hash brown get exalted treatment at these two underpraised spots. In both cases, the result is ungreasy, crunchy outside, creamy inside -- tasty enough to mitigate a thousand freezer-case insults. Spuds got respect.
  • Jean-Paul Sartre Memorial “Hell is Other People” Award. To Lord Hobo, for the licensing tribulations it endured from its abutting neighbors and the City of Cambridge, who apparently believe that all bars should close at 10pm and only serve food. We presume these folks have forgotten the Windsor Tap, the frightening drug bar that used to occupy the spot where Lord Hobo now serves fine food, classy cocktails, and what may be Greater Boston's best lineup of craft beers. Ingrates.
  • Foie Gras Poutine Award for Extraordinary Food in an Unlikely Setting. To Pupuseria Mama Blanca, a superb little Salvadoran joint in a remote residential corner of Eastie, further camouflaged by operating in a space that looks like someone's house. Easy to miss it, but don't.
  • Best actual poutine. The so-called “mix grill sausages” at Pops Restaurant in the South End, which tops beautiful hand-cut fries with cheese curds, short ribs, and sausages of rabbit, duck and wild boar. With too much quality in the ingredients and refinement in the preparation to be mistaken for the classic cheapie Québécois drunk food, it still hits all the requisite animal-fat-laden, guilty-pleasure notes. Fernet-Branca, please!
  • Most Biblical disaster. The January fire that destroyed an entire block of beloved independent restaurants: Thornton’s Fenway Grill, Umi Japanese Cuisine, Sorento’s Italian Gourmet, The Greek Isles, Rod Dee Thai II, and El Pelón Taqueria. The fact that no one was hurt is small comfort to devastated owners and bereft locals. If there is a God, he’s an angry God, one who probably dines at Applebee’s. (Some faith-restoring news: a long-delayed rebuilding program for the block is apparently back on track.)
  • Most lopsided hotness-to-skills ratio. The bar staff at Whiskey Park: undeniably fetching, but seemingly hired with mixology experience optional. With luck, your stylin’ barmaiden’s $300 hairdo, bewitching décolletage, and almost hoohoo-level hemline will distract you from the fact that your $14 Manhattan is as warm as bathwater, and possibly made with gin.
  • Tom Brady Award for Best Upgrade at a Position. To Coppa Enoteca, the Italian small-plates spot that just opened in the South End in the former home of The Dish. The latter was a lovable but uneven little neighborhood joint that eked out an existence from its great patio and spillover trade from the Franklin Café across the street. Judging from the consistently amazing food (with house-made salumi and pastas a highlight), terrific cocktails (making the most of a beer/wine/cordial license), and early patronage by seemingly every chef in town, it's hard to imagine how Coppa's team of Ken Oringer (owner), Jamie Bissonnette (chef), and Courtney Bissonnette (GM) doesn’t repeat its flaming success at Toro.
  • Most deserving of a wake-up call. Any restaurant in 2010 that still has a busy, gimmicky, Flash-heavy website. If you have a slow-loading video for a top-level landing page, your web designer has sold you a bill of goods: Web surfers have hated that hokum for ten years now. If diners can't access it on an iPhone or Blackberry, your whizzy, music-playing, over-animated website is putting you behind the times – and deflecting potential customers.
  • Smartest decision by a big local chain. Legal Sea Foods' hiring of Patrick Sullivan, former owner of The B-Side Lounge and a major progenitor of Boston's craft cocktail revival, as its beverage program manager. That's good for Legal, and good for anyone who wants to see serious cocktails brought to a wider audience.
  • Wrong Place, Wrong Time Award. To Guillaume Schmitt, food/beverage manager at Sensing Restaurant, the Fairmont Battery Wharf's pricey, pedigreed French restaurant, who greeted a guest wandering around the bar looking for help with a snarling “Go wait back at the front door!” That guest turned out to be Mat Schaffer, the Boston Herald's lead restaurant critic, who duly name-checked Schmitt to lead his review of Sensing. Oopsie.
  • Most wished-for return. Copley Square's charming food stand Jack & the Bean Bowl, which brought some much-needed al fresco deliciousness to the stodgy and street-food-averse Back Bay. Their summertime run of serving up fresh, tasty, cheap bowls of vegetarian and vegan beans, rice and fixings was way too brief. Come back, Jack!
  • Pimpin’ Ain’t Easy Award. To the Brothers Andelman of Phantom Gourmet fame (Dan, Dave and Mike, a/k/a Smarmy, Greasy, and Bobbleheady), for their lucrative whoring on behalf of their TV show’s advertisers. This kind of naked money-grubbing ineptly fig-leafed as unbiased reviewing might be easier to take if the boys could authoritatively discuss anything that wasn’t “ooey-gooey, smothered with cheese”.
  • Best doubling of menu options. The new charcoal-grilled pastrami sub at Speed's Famous Hot Dog Wagon, which before served only a hot dog, albeit Boston's best hot dog. Grilling makes this sandwich a bit lean for deli purists' tastes, but terrific pastrami from Newmarket Square neighbor Boston Brisket Company helps. We'll be keeping our ear on the rumor that Speed's may seek a permanent home in a South End storefront, which would make its fabled street food accessible to many more Bostonians.
  • Most embarrassing bit of Bostonian provincialism. The pitiful hand-wringing accompanying the news that legendary restaurateur Danny Meyer might convert the Pink Palace, a shuttered Boston Common restroom, into a Shake Shack. Sample objections: “He's from, gasp, New York!” “We call them 'frappes', not 'shakes'.” “We need something 'Bostonian'” – never mind that the competing proposal is from a one-time operator of a failed New York restaurant whose theme-parky concept includes hawking “Freedom Trail ketchup”. Forget about doing actual research on Meyer's reputation for restaurant hospitality (on which he literally wrote the book), sustainable sourcing, and upstanding citizenship in the neighborhoods in which he operates – let alone actually sampling the food that his much-admired kitchens produce. How did we get our reputation as unworldly, navel-gazing bumpkins, again?
  • Cleverest new street-food concept. Clover Food Lab, a vegan/vegetarian food truck for people who aren’t vegetarians or vegans. With the vivid flavors of Clover’s sandwiches and salads, nobody seems to miss the meat, and its fresh-baked popovers and hand-cut fries are shockingly good.
  • Funniest unattributed restaurant criticism. Found in TV ads for Strega, in which owner Nick Varano continues a longstanding promotional campaign based on third-rate mobster-wannabe shtick that leans heavily on paid-for endorsements by bit players from kaput-in-2007 series The Sopranos. The hilarity stems from one TV spot in which Verano claims, “Shtrega serves what some people call da bes' Italian food in da city." This conveniently ignores the large body of professional and amateur critical opinion that calls Strega's décor hideously kitschy, its Italian-American fare thuddingly average, and its prices breathtaking, e.g., $43 for a veal chop. There's “some people”, and then there's “some other people”.
  • Best tribute dish. Short-rib tacos at Myers + Chang, which accurately mimic the phenomenal flavor of Kogí truck tacos, the L.A. street-food sensation. Unlike many of its upmarket-taco competitors in Boston, M+C has memorized a crucial page from the taco-truck handbook, the one that specifies two tortillas per taco to avoid a drippy, disintegrating mess. And like Kogí, M+C tweets a lot, though arguably this seemed hipper before nine hundred other Boston restaurants got on Twitter, too.
  • Gigantic Balls Award. To Barbara Lynch, for moving forward with plans for a springtime opening of Menton, her empire's new flagship restaurant in Fort Point. This luxury establishment will feature Italian cuisine, French rigor in the preparation and service, and eye-goggling prices: $85 for a 4-course tasting, $145 for a 7-course tasting. The online kibitzers seem evenly split between “That's insane in this economy” and “If anyone can make a success of it, Lynch can.” Me, I'd welcome another occasion-dining venue in Boston that isn't a steakhouse and maybe asks guys to wear a jacket. Whichever camp you fall into, you have to admit: gigantic balls.
  • Little Guy Triumphs Award. To South Street Diner, for successfully defending its right to operate 24 hours a day, something it has done since 1947. Rich-jerk owners of nearby luxury condos, newcomers to the diner's Leather District neighborhood, tried to crimp its hours to 2am but couldn't turn back the tide of popular support. Moral: folks that crave perfect silence shouldn't move to dense urban neighborhoods.
Here's hoping 2010 finds you not believing the hype, supporting local establishments, getting out to Chinatown, Eastie, Allston and Dorchester to sample authentic traditional cooking, treating servers with respect (as documented in Patrick Maguire's fascinating new blog Server Not Servant), and tipping large. Na zdraví!

10 July 2009

An encomium for Icarus: a watershed fine-dining experience

“Nostalgia: it's delicate, but potent… in Greek, ‘nostalgia’ literally means ‘the pain from an old wound.’ It's a twinge in your heart far more powerful than memory alone.” -- Don Draper, “Mad Men” Season 1, Episode 13: “The Wheel”

I had a last meal at Icarus the other night, just before it closed for good after 31 years of operation in three different locations in Boston’s South End. When you spend as much time dining out as I do, you get used to a certain ebb and flow, a sense of the inevitability that most restaurants, even the great ones, don’t last more than a few years. You’re sad when favorites go, but you know it’s the nature of the business. But I felt a sharper-than-usual stab of nostalgia at this particular last meal, as Icarus was a restaurant that changed my life.

Everyone has life-altering moments: the inspirational lecture from a beloved college professor, the high school sports failure that quashes your Hall-of-Fame fantasies, the instant you realize you’ve found someone you could spend your life with. For me, one of those moments was my first dinner at Icarus, many years ago. My culinary experience to that point was meager: my mom’s cooking had made me like a cat, salivating at the sound of the electric can opener. Dinners in the homes of childhood friends with Azorean immigrant parents, communal meals prepared by better-traveled fraternity siblings, urban street food, and cheap Italian, Greek, and Puerto Rican joints: these circumscribed the narrow range of my food world.

That first meal at Icarus really bowled me over, upending everything I knew about fine dining. It wasn’t a posh chophouse or a kitschy upscale Italian-American joint. It sat in the South End, a neighborhood that had hip bona-fides as Boston’s gay ghetto but was still scarily crime-ridden, where the unwary were routinely robbed. Somehow I’d heard that this Icarus was terrific in a new kind of way, so I brought a date I wanted to impress with my sophistication and boldness. We’d risk getting mugged for a great meal together.

I don’t remember the girl, or what I ordered beyond the appetizer including some foie gras (itself shocking to see outside of a luxury French place), but the room certainly impressed me: Old Hollywood, Art Deco glamour. The crowd was young and urbane, gayer than I was used to. Service was attentive but markedly unstuffy. The menu took pains to describe the composition of each dish and the provenance of its ingredients. Here, new to me, was New American cuisine, with its emphasis on fresh local ingredients and globetrotting eclecticism, proffering a new kind of connoisseurship. The chef obviously loved introducing diners to novel ingredients in fresh preparations; he wasn’t showy about his classical French cooking skills, but he could bring them when needed.

That meal put the hook in me the way no swank dinner had ever done. It snapped off and discarded my simple notions of what fine dining should be about. Everything about it excited me. I peppered my server with questions: What’s that ingredient? What does this word mean? How is that prepared again? At the same time, it was relaxed, unpretentious: it expected its customers to take outlandish influences and components in stride. It was a peek into a broader, wilder world of possibilities, and it changed me. I utterly lost interest in Boston’s elite restaurants of the day – the creaky temples to haute cuisine, the sclerotic Continental places, the ostentatiously dull steak and seafood palaces, the suffocating old-boys' dining clubs. I suddenly found myself obsessed with finding restaurants as fresh, entertaining and challenging as Icarus, devoting a huge chunk of my disposable income to their pursuit. In an instant, dining out became my primary hobby.

We've come so far from Icarus’s early heyday that it’s easy to forget how radical it once was. Consider an Icarus appetizer from way back, grilled shrimp with mango/jalapeño sorbet. That would hardly raise an eyebrow today, but every atom of that dish was strange at the time: grilling (not boiling or steaming) shrimp. Sorbet – sorbet?! – of tropical fruit and burning-hot chili on your entrée: it was bizarre, fantastic, crazy! Having summoned your courage, ordered it, and taken your first bite, you were dazzled by its contradictions. East/West! Hot/cold! Sweet/fiery/salty/sour! It kicked old notions of classic European cuisine and heartland American convention in the crotch. It was sassy, it was beautiful, it was sublime. Eating it made you feel brave and cool, like being let in on some outré, slightly dangerous secret.

Times have changed mightily. Our supermarkets now stock an astonishing array of produce, meats, artisanal cheeses, and other groceries from around the world. Americans prepare Peruvian and Vietnamese and Indian food at home. The Food Network fills 24 hours a day with gourmet dining and cooking programming, making national celebrities of local chefs. A plebeian take on the creativity that Icarus and others spearheaded now shows up in casual-dining chains: you can order wasabi-crusted rare ahi with miso beurre blanc at The Cheesecake Factory, and macadamia-crusted tilapia with coconut shrimp and mango puree at the Rainforest Cafe.

In the wake of this evolution, Icarus’s menu no longer wowed -- by 2009, it had come to look sort of tame. Chasers of avant-garde novelty had long since moved on to edgier places like Clio and O Ya. The South End had become a thoroughly gentrified, mostly wealthy neighborhood with dozens of fine-dining restaurants. And Chris Douglass, originally Icarus’s chef, later its chef/owner, had decided that running an upscale restaurant was no longer the fun it once was, especially in a dire economy. Selling Icarus allowed him to focus on his newer, downmarket Ashmont Grill and Tavolo restaurants in the Dorchester neighborhood where he lives. But before Icarus fades from the local dining consciousness, I want to remind Bostonians how thrilling, how pioneering it once was. It helped catalyze an enduring interest in creative cuisine that has enormously enriched my leisure hours since.

I made that last reservation hoping to hear an echo of that first dinner, the genesis of the fixation that ultimately led to my current jobs reviewing restaurants for publications like the Boston Phoenix and Stuff Magazine. I got a little misty as I savored a last Negroni at that cozy bar, luxuriating one final time against that romantic backdrop of Deco luster and live jazz, a trio led by a melancholy baritone sax. Moving to the dining room, I noted many similarly verklempt patrons, mostly older couples, getting in their last licks. I ordered a few favorites: polenta with braised exotic mushrooms and fresh thyme, followed by crisp-grilled local bluefish with smoked mussels and tomato salsa, then a perfect lemon panna cotta with blueberry compote.

As ever, these were meticulously plated, skillfully served, fully delicious. I ate in wistful silence, slowing as the meal went on, reluctant for it to end. Finally, I paid the check, took a last stroll around to admire the gorgeous old art and lamps and statuary, then walked up the stairs and out the door, murmuring my appreciation to Douglass and the staffers who'd given me so much joy over the years. This place, I thought, really left a mark on me. So long, Icarus, and thanks for diverting me down that curious, delectable path, for which I will always be grateful, and always remember you.