Showing posts with label Misty Kalkofen. Show all posts
Showing posts with label Misty Kalkofen. Show all posts

28 July 2014

"Pouring Reign (The Director's Cut)", Part V: Tyler Jay Wang of Audubon Boston

Tyler Jay Want of Audubon Boston, Boston, MA
Photo courtesy of onthebar.com
In April 2014, I wrote a cover feature for The Improper Bostonian entitled “Pouring Reign”, in which I interviewed twelve Boston bartenders I admire. Six are veteran talents I felt had been overlooked by local media; six are newcomers promising enough to get themselves situated in some of our top bar programs. All had many more interesting things to say than I could fit in the space allowed.

How many more? My initial draft ran to 10,000 words, but the feature was allotted 2500; I begged my editors for more room, and they generously let it swell to 3500, a very long feature for the publication.

As happy as I was with the piece (and especially the gorgeous accompanying portrait photography by Adam DeTour), a lot of great material got left on the cutting-room floor. I got permission to run the unexpurgated interviews here. Here’s number five, my unedited interview with Tyler Jay Wang, whose bartending talents I’ve enjoyed for quite a while at places like Drink, the bar at No. 9 Park (particularly when I had an office nearby), and the Kirkland Tap & Trotter, but about whom I hadn’t seen much written. At the time of the interview, Wang was still at the Kirkland, though he would leave shortly to help launch the bar program at the just-rebooted Audubon Boston. I’m happy to present his unedited responses to my interview questions here.

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MC SLIM JB:  I’ve long praised [Kirkland Tap & Trotter chef/owner Tony Maws's other restaurant] Craigie on Main for its somewhat overlooked bar program, and think Kirkland has much the same thing going on, including my preference for dining and drinking at the bar. What does a KT&T customer get dining at your bar that she might miss sitting in the dining room? Are you a bar or a dining room customer on your own time? Does anyone ever come in for drinks and not get anything to eat? (Maws does some pretty alright food, after all.)

TYLER JAY WANG: The bar at Craigie is a staple for any thoughtful bar patron in the city. Their bar, like No. 9’s, is both elegant and enthralling. While the environment at the Craigie bar is more casual, Tony’s philosophies towards perfection in the kitchen are reflected in the bar program. The bar at Kirkland works the same way. And to cap it off, Tony is generally about three feet away from the service bartender, so his influence is always felt. At Craigie, the bar almost feels like another restaurant. It’s somewhat secluded from the hustle and bustle of the noisy kitchen. In the bar room at KT&T, and especially in the first few seats next to service bar, you can feel the heat from the grill. It becomes a much more interactive experience to sit at the bar.

Frankly, working the service bar at KT&T is the only time I’ve ever felt like no one is watching the bartender. The grill cooks over our shoulders are captivating, and Tony’s open kitchens are always a great show. So a bar patron gets that, but like most bars what really sets the experience apart is the interaction with my ‘tenders. The relationships forged between guest and bartender are always more interactive and personal than those at a table. That’s why I always choose to sit at the bar and one of the reasons I became a bartender.

Yes, we definitely get bar guests who just want to have a couple drinks and hang out with us. They are neighborhood folks and I honestly take their visits as a greatest compliment. To choose our humble bar as the place for your late night tipple against all the other great bars in the area means we really must be doing something right!

MC: Measure or free-pour?

TJW: Measure.

MC: Drink that you wish more customers would order?

TJW: Stirred gin cocktails, and shaken ones, and gin neat. Really any gin.

MC: Drink you wish customers would forget existed?

TJW: Dirty Martinis. I can eschew judgment on virtually any other beverage, but why do you want the leftover waste from old olives in your cocktail?

MC, aside: This!

MC: What is your most prized bartending accoutrement, e.g., spoon, ice tool, ice mold, shaker, mixing glass, knife, Lewis bag, cocktail book, serving glass, other piece of barware or glassware?

TJW: My muddler. My dad made it for me from Osage orange wood. It’s modeled after [Drink GM John] Gertsen’s.

MC: Most annoying customer behavior?

TJW: “Can I have [insert house cocktail] but with vodka, and just a little bit of citrus, and not too sweet, but also like a splash of grenadine?”

MC: Spirit that more customers should be trying?

TJW:  GIN! The “New World gin” category is vast and ever-expanding. People get hung up on Hendrick’s and then never get to try all of the wonderful new gins the craft spirit move is producing. Drink more gin!

MC: Your favorite cocktail or bottling to introduce a newbie to it?

TJW: Tom Collins. It’s a familiar name, but when made right, a Tom Collins really stands out.

MC: What’s the best day of the week and time of day for a customer to engage you in a leisurely, educational five-minute conversation about drinks?

TJW: Wednesday from 5:30-6:30, and then 10 to midnight.

MC: You may have seen this New York Times article on the in-house lingo of certain NYC bars. What’s one of your house’s code words/phrases for intra-staff communication in front of customers? 

TJW: We’re too new for any of those.

MC: What’s your typical end-of-shift drink?

TJW: Stout and a shot Monday to Saturday, a Sazerac on Sunday.

MC: What’s a great book / film / record / play / TV show you’ve consumed recently and recommend?

TJW: [Broadway musical] In the Heights. What can I say? I went to school for musical theater.

MC: Do you have a guilty-pleasure drink, the kind of thing you wouldn’t want your peers or customers to catch you drinking?

TJW: No. I’m not a bashful drinker.

MC: What’s the last astonishing restaurant meal you had (what and where) other than at your place?

TJW: Astonishing? Shit, probably Per Se last year. But astonishing has like a wow factor to it I wouldn’t attach to Per Se. Per Se was just perfect. Everything was perfect. Astonishing has like, a magical quality to it. On second thought, Ribelle.

MC: What are a couple of dives you favor on your own time?

TJW: I make it to Brick & Mortar once a month or so. That place is pretty divey.

MC: Dr. Bartender, what’s the best cure for my hangover?

TJW: Don’t drink so much, dummy.

MC: Most interesting current trend in cocktails (or beer or wine)?

TJW: Can’t say I’ve ever been trendy.

MC: Most ridiculous / overhyped / bullshit trend?

TJW: Having every whiskey or amaro that has ever been produced. Curate those lists a little!

MC: As a bar customer yourself, what’s one aspect of Boston’s bars that you wish more operators would do a better job of?

TJW: Standing up for what they believe in! Don’t just buy shit spirits for no reason. Advocate for better products. Advocacy for our guests and our craft is the most important part of our job. Be excited about something behind the bar and then sell it to me with enthusiasm.

MC: What Greater Boston bar (besides your own) is absolutely killing it right now? Of all their qualities, what’s the single standout attribute that makes you want to drink there?

TJW: Visiting Katie at Hawthorne is one of life’s great joys.

MC, aside: Amen to that.

MC: What are the top destinations on your Bars of the World Bucket List?

TJW: Bar High Five - Tokyo, Polite Provisions - San Diego, Wherever Scott Marshall is working.

MC, aside: For the curious, the brilliant Scott Marshall is now at 22 Square in Savannah, GA.

MC: What’s the most ridiculous thing a Yelper has ever said about you or the place you work?

TJW: Plead the 5th

MC: What bartender or bar manager, currently working or retired, is your first-ballot lock for entry into Boston’s Bartending Hall of Fame?

TJW: Misty [Kalkofen]. Scotty [Marshall]. Josey [Packard]. John [Gertsen].

MC: Offer a sentence or two of advice to aspiring bartenders.

TJW: Slow down! If you want to be good at what you do, slow down. You can’t call yourself a craft bartender if you don’t take the time to learn about the craft.

MC: Say a few words about your most influential bartending mentor.

TJW: I’ve had the pleasure of working with some of the best bartenders in the world, let alone our little town. I would not be who I am today without the patience of Ted Kilpatrick.

MC, aside: For the curious, No. 9 alum Ted Kilpatrick now runs Manhattan's Roof at Park South bar for Boston restaurateurs Tim and Nancy Cushman of O Ya

MC: What’s the most surprisingly useful life skill that bartending has taught you?

TJW: Sweat the small stuff, make it perfect, and then say fuck it and take it like a shot.

MC: Compose the question you think I should have asked, and answer it.

TJW: Boston needs a small bar that focuses on rum, agave and Latin food. That’s the answer. I’ll take half credit.

15 July 2014

"Pouring Reign (The Director's Cut)", Part I: Ezra Star of Drink


Ezra Star of Drink, Boston, MA
Photo courtesy of Ezra Star
In April 2014, I wrote a cover feature for The Improper Bostonian entitled “Pouring Reign”, in which I interviewed twelve Boston bartenders I admire. Six are veteran talents I felt had been overlooked by local media; six are newcomers promising enough to get themselves situated in some of our top bar programs. All had many more interesting things to say than I could fit in the space allowed.

How many more? My initial draft ran to 10,000 words, but the feature was allotted 2500; I begged my editors for more room, and they generously let it swell to 3500, a very long feature for the publication.

As happy as I was with the piece (and especially the gorgeous accompanying portrait photography by Adam DeTour), a lot of great material got left on the cutting-room floor. I got permission to run the unexpurgated interviews here. Here’s the first one, my unedited interview with Ezra Star of Drink, one of my personal favorites among an absurdly talented staff at one of Boston’s most popular and acclaimed craft cocktail bars.

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MC SLIM JB: Drink (the bar) is arguably Boston’s most nationally-famous craft cocktail destination; it’s been a while since I’ve been by when there weren’t dense crowds and a line out the door. How do you balance the demands of high-volume service with the ideal of a personalized cocktail experience?

EZRA STAR: Balancing the demands of high volume service and individual attention can be very difficult especially in a place that doesn't have a menu. The first way I deal with this is to not think about making drinks. We have to make a ton of drinks, but the more focused I can be on the people at my bar the better. I rely on creating and refining systems that allow the team as a whole to execute and refine the standards of Drink.

MC: Measure or free-pour?

ES: Drink uses OXO stainless steel cups for measuring, which I find to be very quick and easy measuring tools. The problem with them, though, is that as you use them, the numbers eventually wear off, so essentially we are free-pouring our drinks. My personal preference is to free pour, but I trust myself when I make a drink. At this point I have made at least ten thousand cocktails and know by sight and feel generally what a quarter-ounce, ounce, or whatever is when it comes out of a bottle. When I go out, unless the person seems as though they know what they are doing, I prefer to see them measure.

MC: Drink that you wish more customers would order?

ES: I would love to see people ordering more brandy-based drinks, especially women. Nine times out of ten, if I have someone who claims to not like whiskey or dark alcohol, I can always surprise them with a brandy-based drink and they love it.

MC: Drink you wish customers would forget existed?

ES: The Long Island Iced Tea. I love them, but come on... I know you want to get drunk; let's be a little more aggressive. How about a 151 all-dark-alcohol Long Island?

MC: What is your most prized bartending accoutrement, e.g., spoon, ice tool, ice mold, shaker, mixing glass, knife, Lewis bag, cocktail book, serving glass, other piece of barware or glassware?

ES: My most prized bartending tool is my ice saw. I love the thing, I even engraved some stars on it to make it known to whom it belongs. Plus it looks pretty bad-ass sticking out of my bag when I'm walking to work. I feel like an Edo-period samurai walking through the city.

MC: Most annoying customer behavior?

ES: Asking about my tattoos, or grabbing my arms while I'm making drinks to ask about my tattoos.

MC, aside: Kids, remember the ice saw.

MC: Every bartender has a collection of Fiasco Moments, e.g., the tray of glasses smashed into the ice bin, the flyaway tin that resulted in a guest wearing a shakerful of cocktails, the strangers you introduced at your bar that ended up in a murder/suicide, your proud original creation that customers hated, etc. What’s a particularly egregious / entertaining one of yours?

ES: I had been working for about ten days straight and had just finished making six Ramos Gin Fizzes when on my seventh, the shaker slid from my hand and went into the lap of the person across from me at the bar and covered her in cream and egg. She was really nice about it (though I don't think she'll ever order another one), but I was pretty embarrassed.

MC: What spirit, wine or beer should more customers be trying, and what do you suggest to introduce a newbie to it?

ES: Armagnac, grappa, Cognac, anything made from grapes. A great introduction is Pierre Ferrand Ambre Cognac. I love it so much I actually have a habit of signing the back of every bottle I see.

MC: What’s the best day of the week and time of day for a customer to engage you in a leisurely, educational five-minute conversation about drinks?

ES: I am always down to talk about booze and making drinks, but because of how busy we get, I tend to ask people to come in early on Tuesday, Wednesdays or Thursdays (and by early, I mean when we open at 4pm).

MC: You may have seen this article on the in-house lingo of certain NYC bars. What’s one of your house’s code words/phrases for intra-staff communication in front of customers? 

ES: My favorite one is "In the pool", as in someone who is only getting water or is too drunk to have drinks.

MC: What’s your typical end-of-shift drink?

ES: Pierre Ferrand Ambre Cognac in a glass.

MC: What’s a great book / film / record / play / TV show you’ve consumed recently and recommend?

ES: House of Cards for a show, but I have been reading this amazing book called What the Nose Knows by Avery Gilbert and it has been blowing my mind.

MC: Do you have a guilty-pleasure drink, the kind of thing you wouldn’t want your peers or customers to catch you drinking?

ES: Apricot Sour: 2 ounces of Rothman & Winter Orchard Apricot liqueur, half an ounce of simple, and half an ounce of lemon. It is so good, so sweet, and so wrong.

MC: What’s the last astonishing restaurant meal you had other than at your place?

ES: I recently went to Fairsted Kitchen and was blown away by what they are doing over there!

MC: Dr. Bartender, what’s the best cure for my hangover?

ES: An Italian Greyhound cocktail and pho. Recently after an incredible night of birthday drinking, I had to come in at noon hungover to cut some ice. The salt rim of the Italian Greyhound and the soup were the only things that got me through it.

MC: Most interesting current trend in cocktails, wine or beer?

ES: Loire Valley reds seem to be popping up all over the place. Love it!

MC: Most ridiculous / overhyped / bullshit trend?

ES: Drinking orange bitters.

MC: As a bar customer yourself, what’s one aspect of Boston’s bars that you wish more operators would do a better job of? 

ES: Good sound. So many places have shitty sound systems or sound proofing.

MC: What Greater Boston bar is absolutely killing it right now? Of all their qualities, what’s the single standout attribute that makes you want to drink there?

ES: Sarma. Amazing food, wine and cocktails. I love what these guys are doing, just wish I lived a little closer to them.

MC: What are the top destinations on your Bars of the World Bucket List?

ES: Happiness Forgets (London), Artisan (London), Callooh Callay (London), William and Graham (Denver), Honeycut (LA), Experimental Cocktail Club (Paris), The Black Pearl (Australia), Alembic (San Fran), Rick House (San Fran), Trick Dog (San Fran), Anvil (Houston).

MC: What’s the most ridiculous thing a Yelper (or other amateur reviewer) has ever said about you or the place you work?

ES: "They have a line to get in. Why don't they just let more people in?"

MC: What bartender or bar manager, currently working or retired, is your first-ballot lock for entry into Boston’s Bartending Hall of Fame? 

ES: John Gertsen and Misty Kalkofen

MC: Offer a sentence or two of advice to aspiring bartenders.

ES: Work hard, read everything you can about what you do, forget what you read, find a person who will yell at you to forget, then look at the people on the other side of the bar and get to know them.

MC: Say a few words about your most influential bartending mentor. 

ES: I have had the privilege to work for some of the industry's most amazing people, and I am still blown away by Scott Marshall [formerly of Drink, now at 22 Square in Savannah, GA.] The things I learned from him are still echoing in my mind to this day.

MC: What’s the most surprisingly useful life skill that bartending has taught you?

ES: Learning to listen to other people.

18 May 2011

Drink: Boston's Single Most Essential Craft Cocktail Bar

[This is a reprint of a piece I wrote for Serious Eats, originally published on March 31, 2011. All photos by MC Slim JB.]

Walk half a mile from Boston's South Station, over a bridge into the Fort Point section of South Boston, and you'll happen upon a bleak former warehouse district that is slowly being rehabilitated into an upscale residential and destination-dining neighborhood. Enter a door marked Sportello, an Italian eatery in local celeb-chef Barbara Lynch's empire, and head not upstairs to the restaurant, but downstairs and through a door, and you will arrive at Drink.

This spare, industrial-looking room still has much of its warehouse-basement skeleton of exposed brick, big wooden beams, and rough-hewn granite intact. Three U-shaped, connected bars line the front wall, forming three service and five seating/standing areas. With large soapstone workspaces behind the bars (recalling chem-lab tables) and bottles stowed out of sight, the space is remarkably uncluttered, a spanking-clean mise en place. Aside from bowls of fruit and fresh herbs, there's little to distract the eye beyond a collection of vintage barware and tools along the back work counter. Customers sip cocktails from unique vintage glasses and mugs.

I'm greeted by Misty Kalkofen, one of the star-studded team of bartenders here that boasts names like Josey Packard and Scott Marshall. (This includes most of Boston's BAR certifications, the profession's most coveted credential.) There's no cocktail list, though a letter board on the wall lists recently-popular drinks, few of them likely to be familiar (ever tried a Maximilian Affair?) "What are you thinking tonight?" Misty asks.

"How about something with mezcal?" I reply, knowing she loves this spirit and has created many originals with it.

"Have you tried Nux Alpina? It's a walnut-based liqueur from Austria."

I'm game.

Misty precisely measures and stirs up one of her own creations, In Vida Veritas ($11), which combines Del Maguey Mezcal Vida, Zirbenz (an Austrian liqueur with the scent of pine resin), the aforementioned Nux, Benedictine (the sweet/herbal French monastery cordial), a dash of The Bitter Truth's Xocolate Mole Bitters, and a spritz of orange oil. It's mahogany-toned, smoky from the single-village mezcal, and reveals layers and layers of herbal complexity, something different hitting the palate with every sip. I've never tasted anything like it. This is exactly what I come here for.

Where on earth did this place spring from? Its origins lie in manager John Gertsen's prior stint at Lynch's restaurant No. 9 Park on Beacon Hill, where he combined polished bartending skills with a subtle showman's hospitality. What really distinguished Gertsen's program at No. 9 was his nerdy technical obsessiveness: sourcing high-quality spirits, bitters, and other ingredients from around the world; always using fresh juices and produce from No. 9's larder; studying and relating cocktail history and origin stories; reviving 19th-century classics and creating new cocktails in their mold; fretting over tools and garnishes and glassware and ice. No. 9 took Boston's then-embryonic cocktail renaissance up another level, and did it in very tight quarters with just a handful of seats. When Lynch embarked on an ambitious three-venue expansion plan in Fort Point, she opened Drink to give Gertsen a bigger, shinier stage.

Misty asks my companion what she's thinking.

"Something fresh and springy, like a Mojito?"

Misty probes further: "How do you feel about genever?"

"Um, not sure?"

"Give this one a try," she says, and returns with a Bols Smash ($11): lemon, sugar, a lot of genever and fresh mint shaken together and strained over hand-crushed ice, garnished with another bouquet of impeccable mint. It's beautiful and refreshing, and the malty, almost-whiskeylike undertone of the genever adds a heft and balance that the typically over-sugared light-rum Mojito lacks.

Next round? "How about something with gin?", I venture.

Asks Misty, "Have you sampled Ransom Old Tom gin? You must try a Martinez with this stuff: it's from Oregon, and it's amazing."

The resulting Martinez ($11) is a mix of Ransom Old Tom, Cinzano Rosso vermouth, Luxardo Maraschino liqueur, a dash of Jerry Thomas Decanter bitters, and a spritz of lemon oil. It's easy to see what Misty is excited about: this proto-Martini is much improved by the richer, dryer, barrel-aged Ransom.

Drink also serves punches, a specialty older even than Golden Age cocktails, one that few other Boston bars attempt. Most can be made to scale from two drinkers to much larger groups. One evening, Will Thompson concocts an unnamed punch for two ($24) that begins with lemon peels muddled with demerara sugar and macerated in tea. To this he adds Batavia Arrack, Jamaican and Barbadian rums, Cognac and fresh lemon juice. It's stirred with big, hand-carved chunks of ice in a lovely vintage bowl with a sterling ladle, finished with a flurry of fresh-grated nutmeg. It starts strong and delicious, gently mellowing over time, the ice cut large enough not to dilute it too quickly.

That highlights another detail that Drink sweats like no other Boston bar: ice. It sources 50-pound blocks from an ancient local icehouse, and makes Kold-Draft ice in crystal-clear, geometrically-perfect cubes. Bartenders wield antique ice tools to create a wide array of shapes and sizes carefully matched to the needs of each drink for cooling, texture, and dilution speed. It's a marvel to see a miniature blizzard of ice being planed off a giant block to make a mist, and startling to hear the thwack of a mallet on a Morris bag to produce ice with the texture of gravel.

Drink's no-set-menu philosophy aims to get drinkers out of their well-worn ruts, but I've noticed that some customers find it frustrating. They just want their usual, not a give-and-take to arrive at something unfamiliar. Vodka drinkers, beer lovers, and oenophiles are often flummoxed to learn that Drink offers them very few (and almost no familiar) options. I'm not certain why anyone would come here to pay $11 for a vodka and soda—it seems like going to a Chinese restaurant and ordering the hamburger —but Drink draws crowds of such drinkers on weekends, to the point where it must limit capacity, creating a queue on the sidewalk.

I guess they come for the cool vibe, not the chance to get into the spirit of the place. Quieter nights tend to attract more serious cocktail geeks, and that's when I encourage you to go. For although it has been joined since its opening by some fantastic places in the top tier, Drink remains the sine qua non of craft cocktails in Boston, the single best place to explore the near-infinite richness of the craft cocktail world. Having experienced it, you may never order another thoughtless Dirty Vodka "martini" ever again.

Drink
348 Congress Street, Boston, MA 02210-1236 (near A Street; map)
617-695-1806; drinkfortpoint.com